| Developing European regions? Comparative governance, policy networks and European integration. | | 2002 | British Library |
| A new deal for new UK producers. | | 2002 | British Film Institute |
| Sale and Leaseback of British Films - Frequently Asked Questions. | | 2002 | British Film Institute |
| The British Film Business. | | 2002 | British Library |
| At a cinema near you. Strategies for sustainable local cinema development. | | 2002 | British Film Institute |
| Identifying a Policy Hierarchy: Communication Policy, Media Industries and Globalization. | | 2002 | British Library |
| Bend it like Britain. | | 2002 | British Film Institute |
| The German Cinema Book. | | 2002 | British Film Institute |
| Distribution call from Euro animators. | | 2002 | British Film Institute |
| End of the German Klondike? | | 2002 | British Film Institute |
| German fund mania rages on. | | 2002 | British Film Institute |
| German prod'n 'bombshell'. | | 2002 | British Film Institute |
| German regional office fights for survival. | | 2002 | British Film Institute |
| Germans seek to retain local cash. | | 2002 | British Film Institute |
| Germany staggers to its feet. | | 2002 | British Film Institute |
| Schroeder pledges film cash. | | 2002 | British Film Institute |
| Annual Review 2001/ 02. | | 2002 | British Film Institute |
| Report and Financial Statements 31 March 2002. | | 2002 | British Film Institute |
| Essential background to understanding the current GATS negotiations: A report on a draft convention on cultural diversity. | | 2002 | British Screen Advisory Council |
| The GATS and the European Film Industry. | | 2002 | British Screen Advisory Council |
| Wake up and smell le café. | | 2002 | British Film Institute |
| Filmfoerderungsrichtlinien der BKM. | | 2002 | German Federal Government |
| Creative Industries. Contracts Between Art and Commerce. | | 2002 | Unspecified location |
| EIB fails to deliver Reding's European funding promises. | | 2002 | British Film Institute |
| Local financing more effective than Euro cash. | | 2002 | British Film Institute |
| Maystadt hits back at EIB film funding critics. | | 2002 | British Film Institute |
| Q&A Tracey Scoffield. | | 2002 | British Film Institute |
| Packing for Prague. Sir Alan Parker's vision for the British film industry. | | 2002 | British Film Institute |
| Culture and globalisation. | | 2002 | British Library |
| Media and Power. | | 2002 | British Library |
| Ad surge boosts UK exhibs. | | 2002 | British Film Institute |
| Island of opportunity. | | 2002 | British Film Institute |
| Spreading the word on UK docs. | | 2002 | British Film Institute |
| UK, France forge cross channel film alliance. | | 2002 | British Film Institute |
| BBC - the extra terrestrial. | | 2002 | British Film Institute |
| Public Relations Democracy: Public Relations, Politics and the Mass Media in Britain. | | 2002 | Unspecified location |
| Report on the Creative Industries Finance Conference. Good Practice in Financing Creative Businesses. | | 2002 | Department for Culture, Media and Sport |
| Review of Lottery Funding. A consultation paper on Lottery distribution policy, July 2002. | | 2002 | Department for Culture, Media and Sport |
| Regional Cultural Data Framework: A User's Guide for Researchers and Policymakers. | | 2002 | Department for Culture, Media and Sport |
| Screen Digest Report on the Implications of Digital Technology for the Film Industry. | | 2002 | British Library |
| Media ownership.The economics and politics of convergence and concentration in the UK and European media. | | 2002 | British Library |
| Understanding Media Economics. | | 2002 | British Library |
| The Multiplex: The Modern American Motion Picture Theater as Message. | | 2002 | British Film Institute |
| Public funding for the European film industry grows as companies' financial situations weaken. | | 2002 | Unspecified location |
| A Better Picture. A consultation paper on three financial measures. | | 2002 | UK Film Council |
| A Better Picture. Specialised exhibition and distribution strategy. A digest of consultation responses. | | 2002 | UK Film Council |
| Brand new world. | | 2002 | British Film Institute |
| Glimmer of hope for facilities sector. | | 2002 | British Film Institute |
| Rise in UK admission echoes European boom. | | 2002 | British Film Institute |
| UK exhibitors must work together, urges Till. | | 2002 | British Film Institute |
| UK production spend drops in 2001 as US studios stay away. | | 2002 | British Film Institute |
| Tax breaks around the world: U.K. | | 2002 | British Film Institute |
| U.K. indies struggle to boost local pix. | | 2002 | British Film Institute |
| I'm Spartacus! On no longer seeing films made by women. | | 2002 | Unspecified location |
| The European Cinema Reader. | | 2002 | Unspecified location |
| A funeral no-one will attend. | | 2002 | British Film Institute |
| CNC report raps Eurimages. | | 2002 | British Film Institute |
| Euro so fine. | | 2002 | British Film Institute |
| Till enters field of PolyGram dreams. | | 2002 | British Film Institute |
| Neuer Markt to be scrapped. | | 2002 | British Film Institute |
| "Bis hierhin und nicht weiter." Hearing zur Situation von Frauen in den Filmberufen Regie, Kamera, Ton und Komposition. | | 2002 | Freunde der Deutschen Kinemathek |
| Laissez-faire eats the soul: film funding in the UK. | | 2002 | British Film Institute |
| European film-making under threat. | | 2002 | British Film Institute |
| Cinemagoing 10. | | 2002 | Sheffield Hallam University/ Psalter Lane |
| German National Cinema. | | 2002 | Unspecified location |
| Film Cultures. | | 2002 | British Film Institute |
| Waving, drowning or back crawl? Working out (with) British film policy. | | 2002 | Unspecified location |
| Geschaeftsbericht 2002. | | 2002 | HDF |
| Alle Macht den Banken. | | 2002 | British Film Institute |
| Low-Budget-Land Deutschland. | | 2002 | British Film Institute |
| The Blair government in historical perspective. | | 2002 | Unspecified location |
| "Changing of the guard": Channel 4, FilmFour and film policy. Paul Webster interviewed by John Hill. | | 2002 | British Film Institute |
| Where to make a low-budget film. | | 2002 | British Film Institute |
| BAFTA nominations. | | 2002 | British Film Institute |
| European film industries. | | 2002 | British Film Institute |
| To be or not to be. | | 2002 | British Film Institute |
| Die Zukunft des deutschen Films. | | 2002 | Unspecified location |
| National Treasure. | | 2002 | British Film Institute |
| Filmfoerderung in Deutschland und der EU 2002. | | 2002 | Unspecified location |
| One hundred films and a funeral. | | 2002 | British Library |
| Money, MacPherson and mind-set: the competing cultural and commercial demands on Black and Asian British films in the 1990s. | | 2002 | British Film Institute |
| UK production crisis: the actor's view. | | 2002 | British Film Institute |
| Pride and prejudice. Why disability film-makers and festivals make a difference. | | 2002 | Unspecified location |
| UK production crisis. | | 2002 | British Film Institute |
| European Cinema Yearbook: United Kingdom. | | 2002 | Cinema d'Europe Media Salles |
| The French cultural exception. | | 2002 | British Film Institute |
| Cultural Policy. | | 2002 | British Library |
| 2002 distribution round-up. Will 2002 be entertainment's year? | | 2002 | British Film Institute |
| Battle of Britain. | | 2002 | British Film Institute |
| Blow for UK as production collapses. | | 2002 | British Film Institute |
| Boost for UK arthouse. Council targets exhibition weaknesses. | | 2002 | British Film Institute |
| Dream tickets turn sour. | | 2002 | British Film Institute |
| Film Council report casts lights in salary spending. | | 2002 | British Film Institute |
| Film Council tells UK industry to slash its production costs. | | 2002 | British Film Institute |
| Parker and the vicious circle. | | 2002 | British Film Institute |
| Taxing times ahead. | | 2002 | British Film Institute |
| The new special agents. | | 2002 | British Film Institute |
| UK actors win profit share as Equity, PACT strike deal. | | 2002 | British Film Institute |
| UK agents cut a bigger slice. Top British agencies are increasingly turning into producers. | | 2002 | British Film Institute |
| UK rides risky business boom. | | 2002 | British Film Institute |
| UK to clamp down on co-productions. | | 2002 | British Film Institute |
| Digital Cinema 2002. | | 2002 | Unspecified location |
| Another false dawn? The Film Consortium and the franchise scheme. | | 2002 | British Film Institute |
| That was the Wild East. Film Culture, Unification and the "New" Germany. | | 2002 | British Film Institute |
| New Film Council funding. | | 2002 | British Library |
| UK - what distribution? | | 2002 | British Film Institute |
| Your region, your choice. | | 2002 | Unspecified location |
| Labour Party Plc. Party of Business. | | 2002 | British Library |
| Building a sustainable UK film industry. | | 2002 | UK Film Council |
| From Brit-flicks to shit-flicks: the cost of public subsidy. | | 2002 | British Film Institute |
| The Relph report. A study for the Film Council examining the costs of lower budget UK films and their value in the world market. | | 2002 | UK Film Council |
| Eurimages' future questioned. | | 2002 | British Film Institute |
| Looking at Class: Film, Television and the Working Class in Britain. | | 2002 | Unspecified location |
| New Labour and the cinema: culture, politics and economics. | | 2002 | British Film Institute |
| France's belle epoque rolls on. | | 2002 | British Film Institute |
| The Relationship Between Motion Picture Distribution and Exhibition: An Analysis of the Effects of Anti-Blind-Bidding Legislation. | | 2002 | British Film Institute |
| Zwischen Regie und Regime. Die Filmpolitik der SED im Spiegel der DEFA-Produktionen. | | 2002 | British Library |
| Escape from Los Angeles. | | 2002 | British Film Institute |
| Are you ready to sink your money. | | 2002 | Unspecified location |
| New Welsh cinema as postcolonial critique? | | 2002 | British Film Institute |
| Transatlantic Crossings: British Feature Films in the USA. | | 2002 | British Film Institute |
| Global Film: Exhibition and Distribution. | | 2002 | British Film Institute |
| The 'Popular', Cash and Culture in the Postwar British Cinema Industry. | | 2002 | British Film Institute |
| Subsidizing the Arts: Government and the Arts in Western Europe and the United States. | | 2002 | British Library |
| England. The State of the Regions. | | 2002 | British Library |
| Close up: Alan Parker. | | 2002 | British Film Institute |
| Homegrown hits. | | 2002 | British Film Institute |
| Parker shakes "Little England". | | 2002 | British Film Institute |
| A Better Picture. A digest of consultation responses. | | 2002 | UK Film Council |
| Annual Review 2001/2002. | | 2002 | UK Film Council |
| Putting it on the map. Innovative regional film initiatives for the moving image. | | 2002 | Unspecified location |
| Art of the Deal. 3rd Edition. Completely revised and updated. | | 2002 | British Film Institute |
| The Politics of Contemporary European Cinema: Histories, Borders, Diasporas. | | 2002 | British Film Institute |
| Die Kinobesucher 2002. Strukturen und Entwicklungen auf Basis des GfK Panels. | | 2002 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Kinosaele in der Bundesrepublik Deutschland 1997 bis 2001. Analyse zu Groesse, Programm, Lage, technischer Ausstattung und Service. | | 2002 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Globalization, soft power and the challenge of Hollywood. | | 2002 | Unspecified location |
