| Neue Filmfoerderung des Bundes. | | | Deutsche Bücherei, Frankfurt Am Main |
| Organisation, Structure and Development. | | | Unspecified location |
| Film Council: a work in progress. A consultation paper on Lottery strategy as part of overall support for film. | | | Sheffield Hallam University/ Psalter Lane |
| Working together, making a difference. The work of the public film agencies in the UK. | | | UK Film Council |
| Independent Film Parliament. | | | Unspecified location |
| Look who's watching! A brief reflection on European cinema audiences. | | | Cinema d'Europe Media Salles - Article |
| Meet the Challenge. | | | British Library |
| Reassuring financiers in the film business: Insurance, completion bonds and guarantees. | | | Sheffield Hallam University/ Psalter Lane |
| Tom Clarke minister for cinema films. | | | Unspecified location |
| Stellungnahme zur FFG-Novelle/ Empfehlung der Ausschuesse des Bundesrates des Verbandes Filmverleiher e.V. | | | Unspecified location |
| Cultural Space as Political Metaphor: the Case of the European 'Quality' Film. | | | Unspecified location |
| Independent cinema. | | 1978 | British Library |
| Keynote Address: Cinema Dead or Alive? | | 1981 | Unspecified location |
| Films Act 1985. | | 1985 | British Film Institute |
| Saturday or Sunday Morning? From Arts to Industry - New Forms of Cultural Policy. | | 1986 | British Film Institute |
| Cinema and State. | | 1986 | British Film Institute |
| Learning to dream: The new British cinema. | | 1987 | Sheffield Hallam University/ Psalter Lane |
| Future Film Policy. | | 1987 | British Film Institute |
| Give us a break. | | 1987 | British Library |
| Unity now. | | 1987 | British Library |
| What's an Acronym? | | 1987 | British Film Institute |
| The Audio-visual media in the single European market. | | 1988 | Sheffield Hallam University/ Psalter Lane |
| Umkehrkopien: Acht Notizen ueber den Umgang der Linken mit den audiovisuellen Medien. | | 1989 | Unspecified location |
| The Year in Review. | | 1989 | British Film Institute |
| The Concept of National Cinema. | | 1989 | British Film Institute |
| The future of the European audio-visual industry. | | 1989 | Sheffield Hallam University/ Psalter Lane |
| The European experience. | | 1989 | Sheffield Hallam University/ Psalter Lane |
| Arts without frontiers: a conference on the effects on the arts of the European Single Market, held in association with the Sunday Times and the British Council/ Arts Council of Britain. | | 1990 | Sheffield Hallam University/ Psalter Lane |
| The British Film Institute: re-tooling the culture industry. | | 1990 | British Film Institute |
| My Indecision is Final. The Rise and Fall of Goldcrest Films. | | 1990 | British Film Institute |
| The Warwick Conference on European Cinema. | | 1990 | British Film Institute |
| British Film Institute Southbank Act. | | 1990 | British Film Institute |
| Cinema 1989-1990: Production. | | 1990 | British Film Institute |
| British Film Institute: a response. | | 1990 | British Film Institute |
| The Question of Quality. | | 1990 | British Film Institute |
| British Cinema and Film Statistics. | | 1990 | British Film Institute |
| Reel Hopes From Europe. | | 1990 | British Film Institute |
| The European Community policy in the audiovisual field. Legal and political texts. | | 1990 | Sheffield Hallam University/ Adsetts Centre |
| Cinema 1989-90: Production Focus. | | 1990 | British Film Institute |
| National arts and media strategy discussion document. | | 1991 | Sheffield Hallam University/ Psalter Lane |
| Rooms without a view. | | 1991 | British Library |
| The View from Downing Street. | | 1991 | British Library |
| European film finance and marketing: seminar report, Madrid May 30 - June 1, 1991. | | 1991 | Sheffield Hallam University/ Psalter Lane |
| Cinema 1990-1991: Production. | | 1991 | British Film Institute |
| Cinema 1990-91: Exhibition. | | 1991 | British Film Institute |
| A level playing field? | | 1991 | Sheffield Hallam University/ Psalter Lane |
| Cinema 1990-1991: Distribution | | 1991 | British Film Institute |
| Creativity and Constraint in the British Film Industry. | | 1991 | British Library |
| Productive Relationships? | | 1991 | British Library |
| European Cinemas, European Societies 1939-1990. | | 1991 | British Film Institute |
| European Convention on Cinematographic Co-Production. | | 1992 | Unspecified location |
| Europa Europa: Developing the European film industry. | | 1992 | Sheffield Hallam University/ Psalter Lane |
| Future Imperfect. | | 1992 | British Library |
| Finnace (No. 2) Act. | | 1992 | British Film Institute |
| The Transfer of Function (National Heritage) Order 1992. | | 1992 | Unspecified location |
| The competitive position of the European and US film industries. | | 1992 | Sheffield Hallam University/ Psalter Lane |
| Financing and selling films in Europe: Seminar report, Rome, 16 - 17 March 1992. | | 1992 | Sheffield Hallam University/ Psalter Lane |
| New Questions of British Cinema. | | 1992 | British Library |
| Screening Europe: Image and Identity in Contemporary European Cinema. | | 1992 | British Library |
| Writers' Television. | | 1992 | British Library |
| European Overview. | | 1992 | British Film Institute |
| European Film Studio Feasibility Study. | | 1992 | British Library |
| Yorkshire and Humberside Screen Commission consultative document. | | 1992 | Sheffield Hallam University/ Psalter Lane |
| Growth or decline? The European TV and film industries in crisis: Proceedings of the plenary meeting of the European Television and Film Forum, Seville, 1992. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| Aid for cinematographic and audio-visual production in Europe: Council of Europe study. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| A Dose of Reality: The State of European Cinema. | | 1993 | British Film Institute |
| Fires were started: British cinema and Thatcherism. | | 1993 | Unspecified location |
| State, culture and the cinema: Jack Lang's strategies for the French film industry. | | 1993 | British Film Institute |
| European film financing and marketing: the creative partnership. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| Days of Independence. | | 1993 | British Library |
| Retailing European films: The case of the European exhibition industry. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| In Praise of a Poor Cinema. | | 1993 | British Library |
| Hollywood of Europe? The Future of British film. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| The Decline of the British Film Industry - An Analysis of Market Structure, the Firm and Product Competition. | | 1993 | British Library |
| Fire over England: The British cinema comes under friendly fire. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| Zukunft des europaeischen Films: Nationale und europaeische Filmpolitik in der Diskussion / Kulturforum der Sozialdemokratie. | | 1993 | British Library |
| Popular European cinema conference. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| British Film Industry Conference, London, 8 November 1993. | | 1994 | British Film Institute |
| Border Crossing. Film in Ireland, Britain and Europe. | | 1994 | British Film Institute |
| The British Film Industry: minutes of evidence, Vol. 1 & 2. | | 1994 | Unspecified location |
| Films. A report on the supply of films for exhibition in cinemas in the UK. | | 1994 | British Film Institute |
| The British film industry: Minutes of evidence. Thursday 1 December 1994. | | 1994 | Sheffield Hallam University/ Psalter Lane |
| The British film industry: Minutes of evidence. Thursday 8 December 1994. | | 1994 | Sheffield Hallam University/ Psalter Lane |
| The British film industry: Minutes of evidence. Thursday 15 December 1994. | | 1994 | Sheffield Hallam University/ Psalter Lane |
| Welcome to the Multiplex. | | 1994 | British Film Institute |
| The British Film Commission. | | 1995 | Sheffield Hallam University/ Psalter Lane |
| The British Film Industry. | | 1995 | British Library |
| Sequentia: Production Finance. | | 1995 | Unspecified location |
| Waving the Flag: Constructing a National Cinema in Britain. | | 1995 | British Film Institute |
| Key Note 1995 Market Report: The Film Industry. | | 1995 | British Library |
| The British Film Industry: appendices to the minutes of evidence: Vol. I-III. | | 1995 | Unspecified location |
| The British film industry. Second report. | | 1995 | British Film Institute |
| The British film industry. Second Report. Session 1994-95. Vol. I-III. | | 1995 | British Film Institute |
| Proceedings of the European Audiovisual Conference, Brussels, June/ July 1994. | | 1995 | Sheffield Hallam University/ Adsetts Centre |
| Four Weddings and a Final Reckoning. | | 1995 | British Film Institute |
| Picture this. | | 1996 | British Film Institute |
| European film production guide: finance, tax, legislation. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| Film Production Franchising. | | 1996 | British Film Institute |
| Multiplex-Kinos: Standortkonkurrenz Innenstadt und "Gruene Wiese". Vergleich deutscher, franzoesischer und englischer Steuerinstrumente. | | 1996 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Building blocks. | | 1996 | British Film Institute |
| The Companion to British and Irish Cinema. | | 1996 | British Library |
| The bfi will be 67 in the year 2000. | | 1996 | Unspecified location |
| New Media/ New Policies: Media and Communications Strategies for the Future. | | 1996 | Unspecified location |
| Neither here nor there: National identity in Gainsborough costume drama. | | 1996 | British Film Institute |
| More help for British film: Virginia Bottomley welcomes plans for film franchises. | | 1996 | Unspecified location |
| European identity in cinema. | | 1996 | British Film Institute |
| Developing feature films in Europe: a practical guide. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| The state of European cinema: A new dose of reality. | | 1996 | British Film Institute |
| The Films (Exhibition Periods) Order 1996. | | 1996 | British Film Institute |
| What is Cinema? The Sensuous, the Abstract and the Political. | | 1996 | Unspecified location |
| The Heritage Film and British Cinema. | | 1996 | British Film Institute |
| British Film Policy. | | 1996 | British Film Institute |
| Budgets and markets: a study of the budgeting of European film. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| European Co-Production Strategies: The Case of France and Britain. | | 1996 | British Film Institute |
| British film production: the independent sector: an introductory guide. | | 1996 | Unspecified location |
| Crossing Thresholds: The Contemporary British Woman's Film. | | 1996 | British Film Institute |
| Film financing and television programming: A taxation guide. | | 1996 | British Film Institute |
| A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II. | | 1996 | British Film Institute |
| Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s. | | 1996 | British Film Institute |
| Culture and the Public Sphere. | | 1996 | Unspecified location |
| Art and Industry. Regional film and video policy in the UK. | | 1996 | British Film Institute |
| The advisory committee on film finance: report to the Secretary of State for National Heritage. | | 1996 | British Film Institute |
| The Crime of Monsieur Lange. GATT, the screeen, and the new international division of labour. | | 1996 | British Film Institute |
| Film Policy: International, national and regional perspectives. | | 1996 | British Film Institute |
| Grandeur and Misery of Film Culture. | | 1996 | Unspecified location |
| Hollywood and Europe: Economics, culture, national identity 1945-95. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| A National Lottery funding Strategy for British Film Production. | | 1996 | British Film Institute |
| The company among the wolves. | | 1996 | British Film Institute |
| British film production: the commercial sector - an introductory guide. | | 1996 | Unspecified location |
| A New Vision. | | 1996 | British Film Institute |
| Planning for the next millennium. | | 1996 | British Film Institute |
| Encyclopedia of European Cinema. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| Deutsche Filme im Fernsehen. | | 1997 | Deutsche Bücherei |
| Guidelines for applicants for Lottery funding to produce: Films for the cinema. Artist's film and video. | | 1997 | British Film Institute |
| BECTU submission to UK government film policy review. | | 1997 | BECTU |
| BFI Director to leave. | | 1997 | British Library |
| BFI Welcomes New Chairman. | | 1997 | British Library |
| Will Lottery money assure the British film industry? Or should Chris Smith be rediscovering the virtues of state intervention? | | 1997 | Unspecified location |
| The Feature Film Distribution Deal: A critical analysis of the single most important film industry agreement. | | 1997 | British Film Institute |
| The Movie Game. The Film Business in Britain, Europe and America. | | 1997 | British Library |
| Chris Smith welcomes huge boost to British film: Challenge to industry to double its domestic audience share. | | 1997 | Unspecified location |
| Never a sure thing. | | 1997 | British Film Institute |
| The egos have landed. The rise and fall of Palace Pictures. | | 1997 | Unspecified location |
| Finance (No. 2) Act 1997. | | 1997 | British Film Institute |
| How the Budget Adds Up. | | 1997 | British Library |
| The Thoughts of Chairman Alan. | | 1997 | British Film Institute |
| Stellung der Produzenten in Deutschland. | | 1997 | Unspecified location |
| Create the Future: A Strategy for Cultural Policy, Arts and the Creative Economy. | | 1997 | Unspecified location |
| New Labour. Because Britain deserves better. | | 1997 | British Library |
| Welcome to the Department for Culture, Media and Sport. | | 1997 | Unspecified location |
| DCMS comprehensive spending review: BECTU response to the paper on film policy. | | 1998 | BECTU |
| Flexible Films? | | 1998 | British Library |
| The Third Way. New Politics for the New Century. | | 1998 | Unspecified location |
| Gesetz ueber Massnahmen zur Foerderung des deutschen Films (Filmfoerderungsgesetz - FFG) vom 6. August 1998. | | 1998 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Diversity Challenge. | | 1998 | British Film Institute |
| Film education. The British film industry today - a progress report. | | 1998 | Sheffield Hallam University/ Psalter Lane |
| A bigger picture. The report of the film policy review group. | | 1998 | British Film Institute |
| A Letter to Chris Smith. | | 1998 | Unspecified location |
| A Remit for Cultural Diversity. | | 1998 | Unspecified location |
| National Lottery Act 1998. | | 1998 | British Film Institute |
| Global film production. | | 1998 | European Audio-Visual Observatory - Article |
| Independent Cinema. | | 1998 | Unspecified location |
| Britain has a new film establishment and it is leading us towards disaster. | | 1998 | British Library |
| Filmpolitik und die visuelle Konstruktion des Politischen. | | 1998 | British Library |
| Die Filmpolitik der Europaeischen Union im Spannungsfeld zwischen nationaler staatlicher Foerderung und US-amerikanischer Mediendominanz. | | 1998 | British Library |
| Managing the Mini Boom. | | 1998 | British Film Institute |
| Kinosaele in der Bundesrepublik Deutschland 1993-1997. | | 1998 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| New Look for bfi. | | 1998 | British Library |
| The Censor and the State. | | 1998 | British Library |
| Die Muehen des Dezentralismus. Kritische Bemerkungen zum Dezentralismus in der Kulturpolitik. | | 1998 | Deutsche Bücherei |
| Proceedings of the European Audiovisual Conference, Birmingham, UK, 6-8 April. | | 1998 | Sheffield Hallam University/ Adsetts Centre |
| Shotguns and Weddings. | | 1998 | British Film Institute |
| Show me the Culture! | | 1998 | British Film Institute |
| Creative Britain. | | 1998 | British Library |
| Information Overload. | | 1998 | British Film Institute |
| Top UK Media Owners. | | 1998 | Unspecified location |
| Entertainment industry economics: A guide for financial analysts. | | 1998 | Sheffield Hallam University/ Adsetts Centre |
| Absolute Beginners. | | 1999 | British Film Institute |
| Struktureller Kinomehrbesuch - Ergebnisse bei Neu- und Wiedereroeffnungen. | | 1999 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Annual Review 1998/ 99. | | 1999 | British Film Institute |
| Making Movies Matter. Report from the Film Education Working Group. | | 1999 | British Film Institute |
| Potential Changes to the Established Release Patterns for Films. | | 1999 | British Screen Advisory Council |
| Buendnis fuer Film. | | 1999 | Unspecified location |
| National Identity. | | 1999 | Unspecified location |
| Lowdown. The Low Budget Funding Guide. | | 1999 | Sheffield Hallam University/ Psalter Lane |
| Rogue Reels. Oppositional Film in Britain, 1945-1990. | | 1999 | British Film Institute |
| Cause and effects. | | 1999 | British Film Institute |
| Overscreening. Ueber die Zukunft des Kinos. | | 1999 | Unspecified location |
| The Role of the Creative Industries in Local & Regional Development. | | 1999 | Unspecified location |
| Britain's Film and TV Industry. | | 1999 | Unspecified location |
| The Films (Modification of the Definition of "British Film") Order 1999. | | 1999 | British Film Institute |
| "Film Europe" and "Film America". Cinema, Commerce and Cultural Exchange 1920-1939. | | 1999 | British Library |
| British Cinema in the 1980s. | | 1999 | British Film Institute |
| The Case for Rural Cinema. A report for East Midlands Arts, Eastern Arts and the British Film Institute. | | 1999 | British Film Institute |
| A Reflection on the American Domination of the Film Industry: An historical and industrial perspective. | | 1999 | British Library |
| Situation unabhaengiger Produzenten in Grossbritannien, Frankreich und den Niederlanden. | | 1999 | Unspecified location |
| Crash and film censorship in the UK. | | 1999 | British Film Institute |
| The Independents. Britain's new cultural entrepreneurs. | | 1999 | Unspecified location |
| "Temporary American Citizens": Cultural Anxieties and Industrial Strategies in the Americanisation of European Cinema. | | 1999 | British Library |
| A brief history of cinema exhibition in the UK. | | 1999 | Cinema d'Europe Media Salles - Article |
| Competitiveness Policy and Economic Organisation: The Case of the British Film Industry. | | 1999 | British Library |
| Braucht Film Politik? Fuenfzehn Thesen anlaesslich einer Tagung. | | 1999 | Deutsche Bücherei |
| Tearing the roof off. | | 1999 | British Film Institute |
| Black British Cinema in the 1990s: Going Going Gone. | | 2000 | British Film Institute |
| 7 Jahre Multiplex - Die unendliche Geschichte? Grosskinosituation in Deutschland. | | 2000 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Audiences, Artists and the Cultural Economy: Reflecting on the Experience of Visual Arts UK. | | 2000 | British Library |
| Corporate Populism and Partyless Democracy. | | 2000 | Unspecified location |
| Comparative Analysis of French and French-Canadian Willingness to Support the National Film Industry. | | 2000 | British Library |
| The Film Industry in Britain and France: Strategies for Success. Report of a Seminar March 2000. | | 2000 | British Library |
| Annual Review 1 April 1999 - 31 March 2000. | | 2000 | British Film Institute |
| Royal Charter. (As amended and in effect from 19 April 2000.) | | 2000 | British Film Institute |
| A Brighter Picture. | | 2000 | British Screen Advisory Council |
| BSAC Review of Fiscal Incentives for the UK Film Industry. | | 2000 | Unspecified location |
| Something for Everyone: British Film Culture in the 1990s. | | 2000 | British Film Institute |
| Not Having It All: Women and Film in the 1990s. | | 2000 | British Film Institute< |
