| German cultural policy: An overview. | | 2003 | British Library | International Journal of Cultural Policy, Volume 9, Number 2 |
| UK film boosted by loose definition. | | 2003 | British Film Institute | Screen International No.1410, June 27-July 3 |
| UK statistics reveal uneven picture. | | 2003 | British Film Institute | Screen International No.1409, June 20-26 |
| From across the channel. | | 2001 | Unspecified location | Vertigo Volume 2, Number 1 |
| The film institute and the rising tide: an interview with Colin McCabe. | | 2000 | British Film Institute | Screen Volume 41 Number 1 |
| The British Film Institute: re-tooling the culture industry. | | 1990 | British Film Institute | Screen Volume 31 Number 2 |
| Putting the "Art" Back Into Arts Policy Making: How Arts Policy has been "Captured" by the Economists and the Marketers. | | 2003 | British Library | International Journal of Cultural Policy, Volume 9 Number 2 |
| Cultural Exception, ok? | | 2003 | Unspecified location | Vertigo Volume 2, Number 4 |
| The bfi will be 67 in the year 2000. | | 1996 | Unspecified location | Vertigo, Volume 1, Number 6 |
| EIB fails to deliver Reding's European funding promises. | | 2002 | British Film Institute | Screen International No.1339, January 11-17 |
| Local financing more effective than Euro cash. | | 2002 | British Film Institute | Screen International No.1339, January 11-17 |
| Maystadt hits back at EIB film funding critics. | | 2002 | British Film Institute | Screen International No.1343, February 8-14 |
| The 51st State. | | 2003 | British Film Institute | Screen at the Berlin Film Festival, Day Five, February 10 |
| Close up on a field without definition. | | 2001 | Unspecified location | Vertigo, Volume 2, Number 1 |
| Q&A Tracey Scoffield. | | 2002 | British Film Institute | Screen International No.1349, March 22-28 |
| Packing for Prague. Sir Alan Parker's vision for the British film industry. | | 2002 | British Film Institute | Sight and Sound, Volume 12, Issue 2 |
| Rooms without a view. | | 1991 | British Library | Sight and Sound, Vol. 1, Issue 2 |
| Media Policy Paradigm Shifts. Towards a New Communications Policy Paradigm. | | 2003 | British Library | European Journal of Communication, Volume 18, Number 2 |
| Britain's Mystery Moguls. | | 2004 | British Film Institute | Screen International No.1441, February 20-26 |
| When you're hot, you're hot. | | 2004 | British Film Institute | Screen International No. 1461, July 16-29 |
| Broadcasters urged to do more for European film. | | 2003 | British Film Institute | Screen International No.1410, June 27-July 3 |
| Inward and upwards. | | 2003 | British Film Institute | Screen International No. 1425, October 17-23 |
| UK admissions overtake Germany. | | 2003 | British Film Institute | Screen International No. 1389, January 24-30 |
| 2002:The United States of Cinema. | | 2003 | British Film Institute | Screen International No.1385, December 30 2002-January 5 |
| Ad surge boosts UK exhibs. | | 2002 | British Film Institute | Screen International No.1364 July 19-25 |
| Island of opportunity. | | 2002 | British Film Institute | Screen International No.1365, July 26-August 1 |
| Spreading the word on UK docs. | | 2002 | British Film Institute | Screen International No.1367, August 9-15 |
| UK, France forge cross channel film alliance. | | 2002 | British Film Institute | Screen International No. 1377, October 18-24 |
| BBC - the extra terrestrial. | | 2002 | British Film Institute | Screen International No.1349, March 22-28 |
| Competitiveness policy and economic organization: the case of the British film industry. | | 2000 | British Film Institute | Screen Volume 41 Number 2 |
| Quasi Markets, Transaction Costs, and Trust. The Uncertain Effects of Market Reforms in British Television Production. | | 2000 | Unspecified location | Television & New Media Volume 1, Number 3, |
| Verteidigung der Vielfalt. | | 2001 | Deutsche Bücherei, Frankfurt Am Main | Zeitschrift fuer Kulturaustausch 1/01 |
| Democratising the industry. | | 2003 | British Film Institute | Screen International No. 1420, September 12-18 |
| Distribution out of the Dark. | | 2000 | British Film Institute | Sight and Sound Volume 10, Issue 11 |
| Diversity Challenge. | | 1998 | British Film Institute | Sight and Sound Volume 8, Issue 11 |
| Never a sure thing. | | 1997 | British Film Institute | Sight and Sound Volume 7, Issue 9 |
| KPMG looks at forming a new exhibition circuit. | | 2001 | British Film Institute | Screen Finance, Volume 14, Number 14, August 3 |
| The 'Social' in the Institutionalisation of Local Cultural Policies in France and Germany. | | 2003 | British Library | International Journal of Cultural Policy, Volume 9, Number 2 |
| Europe takes a breather. | | 2003 | British Film Institute | Screen International No. 1409, June 20-26 |
| National Film Production Aid: Legislative Characteristics and Trends. | | 2001 | European Audio-Visual Observatory | Iris plus. Legal Observations of the European Audiovisual Observatory, Issue 2001 |
| Film und TV sind keine Gegenpole mehr. | | 2004 | Deutsche Bücherei | Blickpunkt Film 26/2004 |
| Kino und Kredite. | | 2001 | Deutsche Bücherei | Zeitschrift fuer Kulturaustausch 1/01 |
| The Warwick Conference on European Cinema. | | 1990 | British Film Institute | Screen Volume 31 Number 1 |
| Beyond borders. | | 2003 | British Film Institute | Screen International No.1393, February 21-27 |
| easyCinema settles for 'former blockbusters' from Warner Bros. | | 2003 | British Film Institute | Screen International No. 1409, June 20-26 |
| Expansion in its sites. | | 2003 | British Film Institute | Screen International No.1409, June 20-26 |
| Q&A Stelios Haji-Ioannou. | | 2003 | British Film Institute | Screen International, No.1400, April 11-17 |
| SBC takes over Warner Village in UK. | | 2003 | British Film Institute | Screen International No.1405, May 16-29 |
| Brand new world. | | 2002 | British Film Institute | Screen International No. 1378, October 25-31 |
| Glimmer of hope for facilities sector. | | 2002 | British Film Institute | Screen International no. 1378, October 25-31 |
