Browsing : Category 'year'

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TitleAuthor DetailsYearResource Location
Picture this.
Geoff Andrews
1996British Film Institute
European film production guide: finance, tax, legislation.
Arthur Andersen
1996Sheffield Hallam University/ Psalter Lane
Film Production Franchising.
Arts Council England
1996British Film Institute
Multiplex-Kinos: Standortkonkurrenz Innenstadt und "Gruene Wiese". Vergleich deutscher, franzoesischer und englischer Steuerinstrumente.
Lothar Blatt
Gisela von Raczeck
1996Filmförderungsanstalt (FFA) - German Federal Film Board
Building blocks.
Unspecified Author
1996British Film Institute
The Companion to British and Irish Cinema.
John Caughie
Kevin Rockett
1996British Library
The bfi will be 67 in the year 2000.
Michael Chanan
Julian Petley
1996Unspecified location
New Media/ New Policies: Media and Communications Strategies for the Future.
Richard Collins
Christina Murroni
1996Unspecified location
Neither here nor there: National identity in Gainsborough costume drama.
Pam Cooke
1996British Film Institute
More help for British film: Virginia Bottomley welcomes plans for film franchises.
Department of National Heritage
1996Unspecified location
European identity in cinema.
Wendy Everett
1996British Film Institute
Developing feature films in Europe: a practical guide.
Angus Finney
1996Sheffield Hallam University/ Psalter Lane
The state of European cinema: A new dose of reality.
Angus Finney
1996British Film Institute
The Films (Exhibition Periods) Order 1996.
Great Britain Statutory Instruments
1996British Film Institute
What is Cinema? The Sensuous, the Abstract and the Political.
Sylvia Harvey
1996Unspecified location
The Heritage Film and British Cinema.
Andrew Higson
1996British Film Institute
British Film Policy.
John Hill
1996British Film Institute
Budgets and markets: a study of the budgeting of European film.
Terry Illot
1996Sheffield Hallam University/ Psalter Lane
European Co-Production Strategies: The Case of France and Britain.
Anne Jaeckel
1996British Film Institute
British film production: the independent sector: an introductory guide.
Tricia Jenkins
1996Unspecified location
Crossing Thresholds: The Contemporary British Woman's Film.
Justine King
1996British Film Institute
Film financing and television programming: A taxation guide.
KPMG
1996British Film Institute
A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II.
Colin MacCabe
1996British Film Institute
Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s.
Sarita Malik
1996British Film Institute
Culture and the Public Sphere.
Jim McGuigan
1996Unspecified location
Art and Industry. Regional film and video policy in the UK.
Steve McIntyre
1996British Film Institute
The advisory committee on film finance: report to the Secretary of State for National Heritage.
Sir Peter (Chair) Middleton
1996British Film Institute
The Crime of Monsieur Lange. GATT, the screeen, and the new international division of labour.
Toby Miller
1996British Film Institute
Film Policy: International, national and regional perspectives.
Albert Moran
1996British Film Institute
Grandeur and Misery of Film Culture.
Geoffrey Nowell-Smith
1996Unspecified location
Hollywood and Europe: Economics, culture, national identity 1945-95.
Geoffrey Nowell-Smith
Steven Ricci
1996Sheffield Hallam University/ Psalter Lane
A National Lottery funding Strategy for British Film Production.
PACT Producers Alliance for Cinema and Television
1996British Film Institute
The company among the wolves.
Nik Powell
1996British Film Institute
British film production: the commercial sector - an introductory guide.
Richard Rickitt
1996Unspecified location
A New Vision.
Wilf Stevenson
1996British Film Institute
Planning for the next millennium.
Wilf Stevenson
1996British Film Institute
Encyclopedia of European Cinema.
Ginette Vincendeau
1996Sheffield Hallam University/ Psalter Lane