| "Changing of the guard": Channel 4, FilmFour and film policy. Paul Webster interviewed by John Hill. | | 2002 | British Film Institute | Journal of Popular British Cinema 5/ 2002 |
| "Wir sind in einer relativ guten Lage." | | 2004 | Deutsche Bücherei | Blickpunkt Film 26/2004 |
| 2002 distribution round-up. Will 2002 be entertainment's year? | | 2002 | British Film Institute | Screen International No. 1378, October 25-31 |
| 2002:The United States of Cinema. | | 2003 | British Film Institute | Screen International No.1385, December 30 2002-January 5 |
| A brave new tax world. | | 2003 | British Film Institute | Screen International No. 1430, November 21-27 |
| A 'firmer', 'livelier' EFM. | | 2003 | British Film Institute | Screen International No. 1393, 21-27 February |
| A funeral no-one will attend. | | 2002 | British Film Institute | Screen International No. 1375, October 4-10 |
| A Letter to Chris Smith. | | 1998 | Unspecified location | Vertigo Volume 1, Number 8 |
| A new deal for new UK producers. | | 2002 | British Film Institute | Screen International No.1368, August 16-22 |
| A New Map of Hollywood: The Production and Distribution of American Motion Pictures. | | 2001 | Unspecified location | Regional Studies, Volume 26 |
| A New Vision. | | 1996 | British Film Institute | Sight and Sound, Volume 6, Issue 5 |
| A problem in the pipeline. | | 2003 | British Film Institute | Screen International No.1390, January 31-February 6 |
| A Remit for Cultural Diversity. | | 1998 | Unspecified location | Vertigo Volume 1, Number 8 |
| A sigh of relief. | | 2004 | British Film Institute | Screen International No. 1448, April 9-April 15 |
| A very public affair. | | 2003 | British Film Institute | Screen International No. 1415, August 8-14 |
| Absolute Beginners. | | 1999 | British Film Institute | Sight and Sound Volume 9, Issue 11 |
| Abuse it - and lose it? | | 2003 | British Film Institute | Screen International No.1406, May 29-June 5 |
| Across the Pond. | | 2000 | British Film Institute | American Cinematographer 81, September |
| Ad surge boosts UK exhibs. | | 2002 | British Film Institute | Screen International No.1364 July 19-25 |
| After Section 48. | | 2004 | British Film Institute | Screen International No. 1423, October 3-9 |
| After the gold rush. | | 2003 | British Film Institute | Screen at the Berlin Film Festival, Day Six, February 11 |
| Alle Macht den Banken. | | 2002 | British Film Institute | Screen Berlinale Daily, February 8: 8 |
| Another false dawn? The Film Consortium and the franchise scheme. | | 2002 | British Film Institute | Journal of Popular British Cinema 5/ 2002 |
| Audiences, Artists and the Cultural Economy: Reflecting on the Experience of Visual Arts UK. | | 2000 | British Library | International Journal of Cultural Policy, Volume 7, Number 1 |
| Auditing culture. | | 2004 | British Library | International Journal of Cultural Policy, Volume 10, Number 2 |
| Back to the Future: Rethinking French Cultural Policy, 1997-2002. | | 2000 | British Library | International Journal of Cultural Policy, Volume 9, Number 2 |
| BAFTA bows to Oscar. | | 2003 | British Film Institute | Screen International No.1391 February 7-13 |
| BAFTA nominations. | | 2002 | British Film Institute | Screen International No.1343, February 8-14 |
| BAFTA plays its own tune. | | 2003 | British Film Institute | Screen International No.1394, February 28-March 6 |
| Battle of Britain. | | 2002 | British Film Institute | Screen International No. 1378, October 25-31 |
| BBC - the extra terrestrial. | | 2002 | British Film Institute | Screen International No.1349, March 22-28 |
| Bend it like Britain. | | 2002 | British Film Institute | Sight and Sound Voume 12, Issue 6 |
| Beyond borders. | | 2003 | British Film Institute | Screen International No.1393, February 21-27 |
| BFI Director to leave. | | 1997 | British Library | Sight and Sound Volume 7, Issue 9 |
| BFI Welcomes New Chairman. | | 1997 | British Library | Sight and Sound Volume 7, Issue 9 |
| Bigger can be beautiful. | | 2004 | British Film Institute | Screen International No. 1448, April 9-April 15 |
| Black hole looms for UK finance. | | 2003 | British Film Institute | Screen International No.1410, June 27-July 3 |
| Blow for UK as production collapses. | | 2002 | British Film Institute | Screen International No. 1378, October 25-31 |
| Boost for UK arthouse. Council targets exhibition weaknesses. | | 2002 | British Film Institute | Screen International No.1341, January 25-31 |
| Border crossing. | | 2004 | British Film Institute | Screen International No. 1440, February 13-19 |
| Brand new world. | | 2002 | British Film Institute | Screen International No. 1378, October 25-31 |
| Braucht Film Politik? Fuenfzehn Thesen anlaesslich einer Tagung. | | 1999 | Deutsche Bücherei | Kultur Politik Diskurs, Heft 2 |
| Britain set for birth of a new tax nation. | | 2003 | British Film Institute | Screen International No. 1426, October 24-30 |
| Britain's blooming. | | 2003 | British Film Institute | Screen International No. 1425, October 17-23 |
| Britain's Mystery Moguls. | | 2004 | British Film Institute | Screen International No.1441, February 20-26 |
| British by birth. | | 2003 | British Film Institute | Screen International No.1390, January 31-February 6 |
| British Film Industry Conference, London, 8 November 1993. | | 1994 | British Film Institute | Screen Volume 35 Number 3 |
| British film industry likely to be weakened by tax credit, says City law firm. | | 2004 | British Film Institute | Screen Finance, Volume 17, Number 7, 7 April |
| British Film Institute: a response. | | 1990 | British Film Institute | Screen Volume 31 Number 3 |
| Broadcasters urged to do more for European film. | | 2003 | British Film Institute | Screen International No.1410, June 27-July 3 |
