| Black British Cinema in the 1990s: Going Going Gone. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Something for Everyone: British Film Culture in the 1990s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Not Having It All: Women and Film in the 1990s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Travels in Ladland: The British Gangster Film Cycle, 1998-2001. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| As others see us: British film-making and Europe in the 90s | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| The Year in Review. | | 1989 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1990 | BFI |
| Exhibition and the cinema-going experience. | | 2001 | British Film Institute | Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Exiles and British Cinema. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Spoilt for Choice? Multiplexes in the 90s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| The Wrong Sort of Cinema: Refashioning the Heritage Film. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Failure and Utopianism: Representations of the Working Class in British Cinema of the 90s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| British Cinema as National Cinema: Production, Audience and Representation. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Cinema 1989-1990: Production. | | 1990 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1991 | BFI |
| They Think It's All Over: British Cinema's US Surrender. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Cinema 1990-1991: Production. | | 1991 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1992 | BFI |
| The British Cinema: The Known Cinema? | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Image and Nation in 1990s British Cinema. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Unseen British Cinema. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Cinema 1990-91: Exhibition. | | 1991 | British Film Institute | Leafe, David (ed.): Film and Television Yearbook 1992. | BFI |
| The More Things Change... British Cinema in the 90s. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Internal Decolonisation? British Cinema in the Celtic Fringe. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| The Film Industry and the Government: 'Endless Mr Beans and Mr Bonds'? | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| A Path through the Moral Maze. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Cinema 1990-1991: Distribution | | 1991 | British Film Institute | Leafe, David (ed.): BFI Film and Television Yearbook 1992 | BFI |
| Cinema and State. | | 1986 | British Film Institute | in Barr, Charles (ed.) "All our yesterdays: 90 years of British Cinema" | BFI |
| British Cinema and Black Representation. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| What's an Acronym? | | 1987 | British Film Institute | in Ellis, Mundy and Buckley, Steven (eds.), Film and Television Yearbook 1986 | BFI |
| British Film Censorship. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Travelling Light: New Art Cinema in the 90s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Reel Hopes From Europe. | | 1990 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1990. | BFI |
| European Overview. | | 1992 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1992. | BFI |
| The British Film Industry in the 1990s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Hollywood UK. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Cinema 1989-90: Production Focus. | | 1990 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1991. | BFI |
| Neither here nor there: National identity in Gainsborough costume drama. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| The Heritage Film and British Cinema. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Crossing Thresholds: The Contemporary British Woman's Film. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Transparency and its asymmetric secrets. | | 2003 | European Audio-Visual Observatory | in European Audiovisual Observatory (EAO), 10 Years of Transparency in the Audiovisual Sector | EAO |
| New Labour policies for the media and the arts. | | 2000 | British Library | in Coates, David; Lawler, Peter (eds.), New Labour into Power | Manchester City University Press |
| Cartels and Lotteries: Heritage and Cultural Policy. | | 2001 | Unspecified location | in Morley, David; Robins, Kevin (eds), British Cultural Studies | Oxford University Press |
| Corporate Populism and Partyless Democracy. | | 2000 | Unspecified location | in Chadwick, Andrew; Heffernan, Richard (eds) (2003), The New Labour Reader | Polity Press |
| Identifying a Policy Hierarchy: Communication Policy, Media Industries and Globalization. | | 2002 | British Library | in Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization" | Routledge |
| Culture and globalisation. | | 2002 | British Library | in Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization" | Routledge |
| The Multiplex: The Modern American Motion Picture Theater as Message. | | 2002 | British Film Institute | Hark, Ina Rae (ed.), Exhibition, the Film Reader | Routledge |
| Catastrophic Cycles. Film and National Culture. | | 2003 | British Library | in Beck, Andrew (ed.), Cultural Work. Understanding the Cultral Industries | Routledge |
| British Film Policy. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| European Co-Production Strategies: The Case of France and Britain. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| Art and Industry. Regional film and video policy in the UK. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
