| Black British Cinema in the 1990s: Going Going Gone. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Deutsche Filme im Fernsehen. | | 1997 | Deutsche Bücherei | in Amend, Heike; Buetow, Michael, Der bewegte Film | Vistas Verlag |
| Umkehrkopien: Acht Notizen ueber den Umgang der Linken mit den audiovisuellen Medien. | | 1989 | Unspecified location | in Haug, Wolfgang; Sachs, Herby (eds), Die Ausblendung der Wirklichkeit. Texte zur Medien- und Kulturkritik | Trotzdem-Verlag |
| Corporate Populism and Partyless Democracy. | | 2000 | Unspecified location | in Chadwick, Andrew; Heffernan, Richard (eds) (2003), The New Labour Reader | Polity Press |
| Identifying a Policy Hierarchy: Communication Policy, Media Industries and Globalization. | | 2002 | British Library | in Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization" | Routledge |
| Something for Everyone: British Film Culture in the 1990s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Not Having It All: Women and Film in the 1990s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Buendnis fuer Film. | | 1999 | Unspecified location | in Toeteberg, Michael, Szenenwechsel, Momentaufnahmen des jungen deutschen Films | Rowohlt Taschenbuch Verlag |
| Travels in Ladland: The British Gangster Film Cycle, 1998-2001. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| As others see us: British film-making and Europe in the 90s | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Neither here nor there: National identity in Gainsborough costume drama. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Culture and globalisation. | | 2002 | British Library | in Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization" | Routledge |
| The Year in Review. | | 1989 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1990 | BFI |
| The Multiplex: The Modern American Motion Picture Theater as Message. | | 2002 | British Film Institute | Hark, Ina Rae (ed.), Exhibition, the Film Reader | Routledge |
| Overscreening. Ueber die Zukunft des Kinos. | | 1999 | Unspecified location | in Toeteberg, Michael, Szenenwechsel, Momentaufnahmen des jungen deutschen Films | Rowohlt Taschenbuch Verlag |
| Exhibition and the cinema-going experience. | | 2001 | British Film Institute | Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Exiles and British Cinema. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| You Can Run, But You Can't Hide: Transcultural Filmmaking in Run Lola Run. | | 2003 | British Film Institute | in Halle, Randall; McCarthy, Margaret (eds.), Light Motives. German Popular Film in Perspective. | Wayne State University Press |
| Spoilt for Choice? Multiplexes in the 90s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| The Wrong Sort of Cinema: Refashioning the Heritage Film. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| What is Cinema? The Sensuous, the Abstract and the Political. | | 1996 | Unspecified location | in Williams, Christopher (ed) Cinema: The Beginning and the Future | University Of Westminster Press |
| Keynote Address: Cinema Dead or Alive? | | 1981 | Unspecified location | in British Film Institute, Independent Cinema and Regional Film Culture | University of London, Institute of Education, Media Analysis Paper 2 |
| Catastrophic Cycles. Film and National Culture. | | 2003 | British Library | in Beck, Andrew (ed.), Cultural Work. Understanding the Cultral Industries | Routledge |
| The Heritage Film and British Cinema. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Failure and Utopianism: Representations of the Working Class in British Cinema of the 90s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| British Cinema as National Cinema: Production, Audience and Representation. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| British Film Policy. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| New Labour policies for the media and the arts. | | 2000 | British Library | in Coates, David; Lawler, Peter (eds.), New Labour into Power | Manchester City University Press |
| Cinema 1989-1990: Production. | | 1990 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1991 | BFI |
| European Co-Production Strategies: The Case of France and Britain. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| They Think It's All Over: British Cinema's US Surrender. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Cinema 1990-1991: Production. | | 1991 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1992 | BFI |
| Crossing Thresholds: The Contemporary British Woman's Film. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Stellung der Produzenten in Deutschland. | | 1997 | Unspecified location | in Amend, Heike; Buetow, Michael, Der bewegte Film | Vistas Verlag |
| Transparency and its asymmetric secrets. | | 2003 | European Audio-Visual Observatory | in European Audiovisual Observatory (EAO), 10 Years of Transparency in the Audiovisual Sector | EAO |
| The British Cinema: The Known Cinema? | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Image and Nation in 1990s British Cinema. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Unseen British Cinema. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Filmpolitik zwischen kulturellem Anspruch und wirtschaftlichen Erwartungen. | | 2001 | Deutsche Bücherei | in Abromeit, Heidrung; Nieland, Joerg-Uwe; Schierl, Thomas (eds), Politik, Medien und Technik. Festschrift fuer Heribert Schatz | Westdeutscher Verlag |
| Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| "Temporary American Citizens": Cultural Anxieties and Industrial Strategies in the Americanisation of European Cinema. | | 1999 | British Library | in Higson, Andrew and Maltby, Richard (eds), "Film Europe" and "Film America". Cinema, Commerce and Cultural Exchange 1920-1939 | University of Exeter Press |
| Cinema 1990-91: Exhibition. | | 1991 | British Film Institute | Leafe, David (ed.): Film and Television Yearbook 1992. | BFI |
| The More Things Change... British Cinema in the 90s. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Art and Industry. Regional film and video policy in the UK. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| Internal Decolonisation? British Cinema in the Celtic Fringe. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| The Film Industry and the Government: 'Endless Mr Beans and Mr Bonds'? | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| The National Endowment for the Arts in the 1990s. | | 2001 | British Library | in Meredyth, Denise; Minson, Jeffrey (eds.), Citizenship and Cultural Policy, London, Thousand Oaks | Sage Publications |
| The Crime of Monsieur Lange. GATT, the screeen, and the new international division of labour. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| Fantasizing Integration and Escape in the Post-Unification Road Movie. | | 2003 | British Film Institute | in Halle, Randall; McCarthy, Margaret (eds.), Light Motives. German Popular Film in Perspective. | Wayne State University Press |
