Browsing : Category 'book'

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TitleAuthor DetailsYearResource LocationBookPublisher
European Overview.
Wilf Stevenson
1992British Film Institutein Leafe, David (ed.), Film and Television Yearbook 1992.BFI
Exhibition and the cinema-going experience.
Allen Eyles
2001British Film InstituteMurphy, Robert (ed.), The British Cinema Book, Second EditionBFI
Exiles and British Cinema.
Kevin Gough-Yates
2001British Film Institutein Murphy, Robert (ed.), The British Cinema Book, Second EditionBFI
Failure and Utopianism: Representations of the Working Class in British Cinema of the 90s.
John Hill
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
Fantasizing Integration and Escape in the Post-Unification Road Movie.
Elizabeth Mittman
2003British Film Institutein Halle, Randall; McCarthy, Margaret (eds.), Light Motives. German Popular Film in Perspective.Wayne State University Press
Filmpolitik zwischen kulturellem Anspruch und wirtschaftlichen Erwartungen.
Manfred Mai
2001Deutsche Büchereiin Abromeit, Heidrung; Nieland, Joerg-Uwe; Schierl, Thomas (eds), Politik, Medien und Technik. Festschrift fuer Heribert SchatzWestdeutscher Verlag
Hollywood UK.
Neil Watson
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
Identifying a Policy Hierarchy: Communication Policy, Media Industries and Globalization.
Alison Beale
2002British Libraryin Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization"Routledge
Image and Nation in 1990s British Cinema.
Moya Luckett
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
Internal Decolonisation? British Cinema in the Celtic Fringe.
Martin McLoone
2001British Film Institutein Murphy, Robert (ed.), The British Cinema Book, Second EditionBFI
Keynote Address: Cinema Dead or Alive?
Sylvia Harvey
1981Unspecified locationin British Film Institute, Independent Cinema and Regional Film CultureUniversity of London, Institute of Education, Media Analysis Paper 2
Neither here nor there: National identity in Gainsborough costume drama.
Pam Cooke
1996British Film Institutein Higson, Andrew (ed.), Rethinking British CinemaCassell
New Labour policies for the media and the arts.
Peter Humphreys
2000British Libraryin Coates, David; Lawler, Peter (eds.), New Labour into PowerManchester City University Press
Not Having It All: Women and Film in the 1990s.
Charlotte Brunsdown
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
Overscreening. Ueber die Zukunft des Kinos.
Matthias Elwardt
1999Unspecified locationin Toeteberg, Michael, Szenenwechsel, Momentaufnahmen des jungen deutschen FilmsRowohlt Taschenbuch Verlag
Reel Hopes From Europe.
Wilf Stevenson
1990British Film Institutein Leafe, David (ed.), Film and Television Yearbook 1990.BFI
Something for Everyone: British Film Culture in the 1990s.
Geoff Brown
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
Spoilt for Choice? Multiplexes in the 90s.
Stuart Hanson
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
Stellung der Produzenten in Deutschland.
Johannes Kreile
1997Unspecified locationin Amend, Heike; Buetow, Michael, Der bewegte FilmVistas Verlag
Subsidizing the Arts: Government and the Arts in Western Europe and the United States.
Stefan Toeppler
Annette Zimmer
2002British Libraryin Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization"Routledge
The British Cinema: The Known Cinema?
Alan Lovell
2001British Film Institutein Murphy, Robert (ed.), The British Cinema Book, Second EditionBFI
The British Film Industry in the 1990s.
Peter Todd
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
The Crime of Monsieur Lange. GATT, the screeen, and the new international division of labour.
Toby Miller
1996British Film Institutein Moran, Albert (ed.), Film Policy.International, National and Regional PerspectivesRoutledge
The Film Industry and the Government: 'Endless Mr Beans and Mr Bonds'?
Toby Miller
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
The Heritage Film and British Cinema.
Andrew Higson
1996British Film Institutein Higson, Andrew (ed.), Rethinking British CinemaCassell