Browsing : Category 'book'

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TitleAuthor DetailsYearResource LocationBookPublisher
British Cinema and Black Representation.
Jim Pines
2001British Film Institutein Murphy, Robert (ed.), The British Cinema Book, Second EditionBFI
What's an Acronym?
Simon Relph
1987British Film Institutein Ellis, Mundy and Buckley, Steven (eds.), Film and Television Yearbook 1986BFI
British Film Censorship.
Jeffrey Richards
2001British Film Institutein Murphy, Robert (ed.), The British Cinema Book, Second EditionBFI
Travelling Light: New Art Cinema in the 90s.
Claire Smith
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
Reel Hopes From Europe.
Wilf Stevenson
1990British Film Institutein Leafe, David (ed.), Film and Television Yearbook 1990.BFI
European Overview.
Wilf Stevenson
1992British Film Institutein Leafe, David (ed.), Film and Television Yearbook 1992.BFI
The British Film Industry in the 1990s.
Peter Todd
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
Hollywood UK.
Neil Watson
2000British Film Institutein Murphy, Robert (ed.), British Cinema of the 90sBFI
Cinema 1989-90: Production Focus.
John Woodward
1990British Film Institutein Leafe, David (ed.), Film and Television Yearbook 1991.BFI
Neither here nor there: National identity in Gainsborough costume drama.
Pam Cooke
1996British Film Institutein Higson, Andrew (ed.), Rethinking British CinemaCassell
The Heritage Film and British Cinema.
Andrew Higson
1996British Film Institutein Higson, Andrew (ed.), Rethinking British CinemaCassell
Crossing Thresholds: The Contemporary British Woman's Film.
Justine King
1996British Film Institutein Higson, Andrew (ed.), Rethinking British CinemaCassell
A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II.
Colin MacCabe
1996British Film Institutein Higson, Andrew (ed.), Rethinking British CinemaCassell
Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s.
Sarita Malik
1996British Film Institutein Higson, Andrew (ed.), Rethinking British CinemaCassell
Transparency and its asymmetric secrets.
Andre Lange
2003European Audio-Visual Observatoryin European Audiovisual Observatory (EAO), 10 Years of Transparency in the Audiovisual SectorEAO
New Labour policies for the media and the arts.
Peter Humphreys
2000British Libraryin Coates, David; Lawler, Peter (eds.), New Labour into PowerManchester City University Press
Cartels and Lotteries: Heritage and Cultural Policy.
Kenneth Worpole
2001Unspecified locationin Morley, David; Robins, Kevin (eds), British Cultural StudiesOxford University Press
Corporate Populism and Partyless Democracy.
Anthoy Barnett
2000Unspecified locationin Chadwick, Andrew; Heffernan, Richard (eds) (2003), The New Labour ReaderPolity Press
Identifying a Policy Hierarchy: Communication Policy, Media Industries and Globalization.
Alison Beale
2002British Libraryin Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization"Routledge
Culture and globalisation.
Diana Crane
2002British Libraryin Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization"Routledge
The Multiplex: The Modern American Motion Picture Theater as Message.
Gary Edgerton
2002British Film InstituteHark, Ina Rae (ed.), Exhibition, the Film ReaderRoutledge
Catastrophic Cycles. Film and National Culture.
Sally Hibbin
2003British Libraryin Beck, Andrew (ed.), Cultural Work. Understanding the Cultral IndustriesRoutledge
British Film Policy.
John Hill
1996British Film Institutein Moran, Albert (ed.), Film Policy.International, National and Regional PerspectivesRoutledge
European Co-Production Strategies: The Case of France and Britain.
Anne Jaeckel
1996British Film Institutein Moran, Albert (ed.), Film Policy.International, National and Regional PerspectivesRoutledge
Art and Industry. Regional film and video policy in the UK.
Steve McIntyre
1996British Film Institutein Moran, Albert (ed.), Film Policy.International, National and Regional PerspectivesRoutledge