| British Cinema as National Cinema: Production, Audience and Representation. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| British Film Policy. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| New Labour policies for the media and the arts. | | 2000 | British Library | in Coates, David; Lawler, Peter (eds.), New Labour into Power | Manchester City University Press |
| Cinema 1989-1990: Production. | | 1990 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1991 | BFI |
| European Co-Production Strategies: The Case of France and Britain. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| They Think It's All Over: British Cinema's US Surrender. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Cinema 1990-1991: Production. | | 1991 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1992 | BFI |
| Crossing Thresholds: The Contemporary British Woman's Film. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Stellung der Produzenten in Deutschland. | | 1997 | Unspecified location | in Amend, Heike; Buetow, Michael, Der bewegte Film | Vistas Verlag |
| Transparency and its asymmetric secrets. | | 2003 | European Audio-Visual Observatory | in European Audiovisual Observatory (EAO), 10 Years of Transparency in the Audiovisual Sector | EAO |
| The British Cinema: The Known Cinema? | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Image and Nation in 1990s British Cinema. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Unseen British Cinema. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Filmpolitik zwischen kulturellem Anspruch und wirtschaftlichen Erwartungen. | | 2001 | Deutsche Bücherei | in Abromeit, Heidrung; Nieland, Joerg-Uwe; Schierl, Thomas (eds), Politik, Medien und Technik. Festschrift fuer Heribert Schatz | Westdeutscher Verlag |
| Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| "Temporary American Citizens": Cultural Anxieties and Industrial Strategies in the Americanisation of European Cinema. | | 1999 | British Library | in Higson, Andrew and Maltby, Richard (eds), "Film Europe" and "Film America". Cinema, Commerce and Cultural Exchange 1920-1939 | University of Exeter Press |
| Cinema 1990-91: Exhibition. | | 1991 | British Film Institute | Leafe, David (ed.): Film and Television Yearbook 1992. | BFI |
| The More Things Change... British Cinema in the 90s. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Art and Industry. Regional film and video policy in the UK. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| Internal Decolonisation? British Cinema in the Celtic Fringe. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| The Film Industry and the Government: 'Endless Mr Beans and Mr Bonds'? | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| The National Endowment for the Arts in the 1990s. | | 2001 | British Library | in Meredyth, Denise; Minson, Jeffrey (eds.), Citizenship and Cultural Policy, London, Thousand Oaks | Sage Publications |
| The Crime of Monsieur Lange. GATT, the screeen, and the new international division of labour. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| Fantasizing Integration and Escape in the Post-Unification Road Movie. | | 2003 | British Film Institute | in Halle, Randall; McCarthy, Margaret (eds.), Light Motives. German Popular Film in Perspective. | Wayne State University Press |
