| Keynote Address: Cinema Dead or Alive? | | 1981 | Unspecified location | in British Film Institute, Independent Cinema and Regional Film Culture | University of London, Institute of Education, Media Analysis Paper 2 |
| Cinema and State. | | 1986 | British Film Institute | in Barr, Charles (ed.) "All our yesterdays: 90 years of British Cinema" | BFI |
| What's an Acronym? | | 1987 | British Film Institute | in Ellis, Mundy and Buckley, Steven (eds.), Film and Television Yearbook 1986 | BFI |
| Umkehrkopien: Acht Notizen ueber den Umgang der Linken mit den audiovisuellen Medien. | | 1989 | Unspecified location | in Haug, Wolfgang; Sachs, Herby (eds), Die Ausblendung der Wirklichkeit. Texte zur Medien- und Kulturkritik | Trotzdem-Verlag |
| The Year in Review. | | 1989 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1990 | BFI |
| Cinema 1989-1990: Production. | | 1990 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1991 | BFI |
| Reel Hopes From Europe. | | 1990 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1990. | BFI |
| Cinema 1989-90: Production Focus. | | 1990 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1991. | BFI |
| Cinema 1990-1991: Production. | | 1991 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1992 | BFI |
| Cinema 1990-91: Exhibition. | | 1991 | British Film Institute | Leafe, David (ed.): Film and Television Yearbook 1992. | BFI |
| Cinema 1990-1991: Distribution | | 1991 | British Film Institute | Leafe, David (ed.): BFI Film and Television Yearbook 1992 | BFI |
| European Overview. | | 1992 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1992. | BFI |
| Neither here nor there: National identity in Gainsborough costume drama. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| What is Cinema? The Sensuous, the Abstract and the Political. | | 1996 | Unspecified location | in Williams, Christopher (ed) Cinema: The Beginning and the Future | University Of Westminster Press |
| The Heritage Film and British Cinema. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| British Film Policy. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| European Co-Production Strategies: The Case of France and Britain. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| Crossing Thresholds: The Contemporary British Woman's Film. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Art and Industry. Regional film and video policy in the UK. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| The Crime of Monsieur Lange. GATT, the screeen, and the new international division of labour. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| Deutsche Filme im Fernsehen. | | 1997 | Deutsche Bücherei | in Amend, Heike; Buetow, Michael, Der bewegte Film | Vistas Verlag |
| Stellung der Produzenten in Deutschland. | | 1997 | Unspecified location | in Amend, Heike; Buetow, Michael, Der bewegte Film | Vistas Verlag |
| Buendnis fuer Film. | | 1999 | Unspecified location | in Toeteberg, Michael, Szenenwechsel, Momentaufnahmen des jungen deutschen Films | Rowohlt Taschenbuch Verlag |
