| Neither here nor there: National identity in Gainsborough costume drama. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Culture and globalisation. | | 2002 | British Library | in Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization" | Routledge |
| The Year in Review. | | 1989 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1990 | BFI |
| The Multiplex: The Modern American Motion Picture Theater as Message. | | 2002 | British Film Institute | Hark, Ina Rae (ed.), Exhibition, the Film Reader | Routledge |
| Overscreening. Ueber die Zukunft des Kinos. | | 1999 | Unspecified location | in Toeteberg, Michael, Szenenwechsel, Momentaufnahmen des jungen deutschen Films | Rowohlt Taschenbuch Verlag |
| Exhibition and the cinema-going experience. | | 2001 | British Film Institute | Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Exiles and British Cinema. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| You Can Run, But You Can't Hide: Transcultural Filmmaking in Run Lola Run. | | 2003 | British Film Institute | in Halle, Randall; McCarthy, Margaret (eds.), Light Motives. German Popular Film in Perspective. | Wayne State University Press |
| Spoilt for Choice? Multiplexes in the 90s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| The Wrong Sort of Cinema: Refashioning the Heritage Film. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
