| "Temporary American Citizens": Cultural Anxieties and Industrial Strategies in the Americanisation of European Cinema. | | 1999 | British Library | in Higson, Andrew and Maltby, Richard (eds), "Film Europe" and "Film America". Cinema, Commerce and Cultural Exchange 1920-1939 | University of Exeter Press |
| A Path through the Moral Maze. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Art and Industry. Regional film and video policy in the UK. | | 1996 | British Film Institute | in Moran, Albert (ed.), Film Policy.International, National and Regional Perspectives | Routledge |
| As others see us: British film-making and Europe in the 90s | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Black British Cinema in the 1990s: Going Going Gone. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| British Cinema and Black Representation. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| British Cinema as National Cinema: Production, Audience and Representation. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| British Film Censorship. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
