Browsing : Category 'publisher'

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TitleAuthor DetailsYearResource Location
Meet the Challenge.
Unspecified Author
British Library
Cinema and State.
Julian Petley
1986British Film Institute
Future Film Policy.
Julian Petley
1987British Film Institute
What's an Acronym?
Simon Relph
1987British Film Institute
The Year in Review.
Sean Day-Lewis
1989British Film Institute
The European experience.
Geoffrey Nowell-Smith
1989Sheffield Hallam University/ Psalter Lane
Cinema 1989-1990: Production.
Terry Illot
1990British Film Institute
The Question of Quality.
Geoff Mulgan
1990British Film Institute
Reel Hopes From Europe.
Wilf Stevenson
1990British Film Institute
Cinema 1989-90: Production Focus.
John Woodward
1990British Film Institute
Rooms without a view.
Cairns Craig
1991British Library
The View from Downing Street.
Jane/ Relph Headland
1991British Library
Cinema 1990-1991: Production.
Ben Keen
1991British Film Institute
Cinema 1990-91: Exhibition.
Tina McFarling
1991British Film Institute
A level playing field?
Patricia Perilli
1991Sheffield Hallam University/ Psalter Lane
Cinema 1990-1991: Distribution
Julian Petley
1991British Film Institute
Productive Relationships?
Nick Smedley
John Woodward
1991British Library
Future Imperfect.
Peter Goodwin
1992British Library
New Questions of British Cinema.
Duncan J. Petrie
1992British Library
Screening Europe: Image and Identity in Contemporary European Cinema.
Duncan J. Petrie
1992British Library
Writers' Television.
James Saynor
1992British Library
European Overview.
Wilf Stevenson
1992British Film Institute
Days of Independence.
Nick James
1993British Library
In Praise of a Poor Cinema.
Colin McArthur
1993British Library
Hollywood of Europe? The Future of British film.
Geoff Mulgan
Richard Paterson
1993Sheffield Hallam University/ Psalter Lane
Welcome to the Multiplex.
Nick Roddick
1994British Film Institute
The British Film Commission.
British Film Commission
1995Sheffield Hallam University/ Psalter Lane
Four Weddings and a Final Reckoning.
Nick Roddick
1995British Film Institute
Picture this.
Geoff Andrews
1996British Film Institute
Building blocks.
Unspecified Author
1996British Film Institute
The Companion to British and Irish Cinema.
John Caughie
Kevin Rockett
1996British Library
British film production: the independent sector: an introductory guide.
Tricia Jenkins
1996Unspecified location
Hollywood and Europe: Economics, culture, national identity 1945-95.
Geoffrey Nowell-Smith
Steven Ricci
1996Sheffield Hallam University/ Psalter Lane
The company among the wolves.
Nik Powell
1996British Film Institute
A New Vision.
Wilf Stevenson
1996British Film Institute
Planning for the next millennium.
Wilf Stevenson
1996British Film Institute
BFI Director to leave.
Unspecified Author
1997British Library
BFI Welcomes New Chairman.
Unspecified Author
1997British Library
Never a sure thing.
Patricia Dobson
1997British Film Institute
How the Budget Adds Up.
Unspecified Author
1997British Library
The Thoughts of Chairman Alan.
Nick James
1997British Film Institute
Diversity Challenge.
Unspecified Author
1998British Film Institute
Managing the Mini Boom.
Geoffrey MacNab
1998British Film Institute
New Look for bfi.
Unspecified Author
1998British Library
The Censor and the State.
Julian Petley
Mark Kermode
1998British Library
Shotguns and Weddings.
Nick Roddick
1998British Film Institute
Show me the Culture!
Nick Roddick
1998British Film Institute
Information Overload.
Kate Stables
1998British Film Institute
Absolute Beginners.
Unspecified Author
1999British Film Institute
Annual Review 1998/ 99.
British Film Institute
1999British Film Institute
Making Movies Matter. Report from the Film Education Working Group.
British Film Institute
1999British Film Institute
Lowdown. The Low Budget Funding Guide.
Chris Chandler
1999Sheffield Hallam University/ Psalter Lane
Rogue Reels. Oppositional Film in Britain, 1945-1990.
Margaret Dickinson
1999British Film Institute
Tearing the roof off.
Liese Spencer
1999British Film Institute
Black British Cinema in the 1990s: Going Going Gone.
Karen Alexander
2000British Film Institute
Annual Review 1 April 1999 - 31 March 2000.
British Film Institute
2000British Film Institute
Royal Charter. (As amended and in effect from 19 April 2000.)
British Film Institute
2000British Film Institute
Something for Everyone: British Film Culture in the 1990s.
Geoff Brown
2000British Film Institute
Not Having It All: Women and Film in the 1990s.
Charlotte Brunsdown
2000British Film Institute
As others see us: British film-making and Europe in the 90s
Ian Christie
2000British Film Institute
Distribution out of the Dark.
Unspecified Author
2000British Film Institute
Gangbusters.
Unspecified Author
2000British Film Institute
Spoilt for Choice? Multiplexes in the 90s.
Stuart Hanson
2000British Film Institute
Failure and Utopianism: Representations of the Working Class in British Cinema of the 90s.
John Hill
2000British Film Institute
Image and Nation in 1990s British Cinema.
Moya Luckett
2000British Film Institute
Unseen British Cinema.
Geoffrey MacNab
2000British Film Institute
The Film Industry and the Government: 'Endless Mr Beans and Mr Bonds'?
Toby Miller
2000British Film Institute
A Path through the Moral Maze.
Robert Murphy
2000British Film Institute
Dome Syndrome.
Nick Roddick
2000British Film Institute
Travelling Light: New Art Cinema in the 90s.
Claire Smith
2000British Film Institute
The British Film Industry in the 1990s.
Peter Todd
2000British Film Institute
Hollywood UK.
Neil Watson
2000British Film Institute
Annual Review 2000/2001.
British Film Institute
2001British Film Institute
Travels in Ladland: The British Gangster Film Cycle, 1998-2001.
Steve Chibnall
2001British Film Institute
Exhibition and the cinema-going experience.
Allen Eyles
2001British Film Institute
A Filmmakers' Guide to Distribution and Exhibition.
Jane Giles
2001British Film Institute
Exiles and British Cinema.
Kevin Gough-Yates
2001British Film Institute
The Wrong Sort of Cinema: Refashioning the Heritage Film.
Sheldon Hall
2001British Film Institute
British Cinema as National Cinema: Production, Audience and Representation.
John Hill
2001British Film Institute
In Bed with the Film Council.
Nick James
2001British Film Institute
They Think It's All Over: British Cinema's US Surrender.
Nick James
2001British Film Institute
Digital Deluge.
Nick James
Paul Trijbits
2001British Film Institute
The British Cinema: The Known Cinema?
Alan Lovell
2001British Film Institute
Our own Capone.
Geoffrey MacNab
2001British Film Institute
The More Things Change... British Cinema in the 90s.
Brian McFarlane
2001British Film Institute
Internal Decolonisation? British Cinema in the Celtic Fringe.
Martin McLoone
2001British Film Institute
Midterm Blues.
Unspecified Author
2001British Library
Global Hollywood.
Toby Miller
Nitin Govil
John McMurria
Richard Maxwell
2001British Film Institute
Own Goals All Around.
Unspecified Author
2001British Library
Raising the Bar.
Julian Petley
2001British Library
British Cinema and Black Representation.
Jim Pines
2001British Film Institute
British Film Censorship.
Jeffrey Richards
2001British Film Institute
Small Change
Unspecified Author
2001British Film Institute
Speed too.
Unspecified Author
2001British Film Institute
At a cinema near you. Strategies for sustainable local cinema development.
Robin Baker
Ron J. Inglis
Julia Voss
2002British Film Institute
Bend it like Britain.
Unspecified Author
2002British Film Institute
The German Cinema Book.
Tim Bergfelder
Erica Carter
Deniz Goektuerk
2002British Film Institute
Annual Review 2001/ 02.
British Film Institute
2002British Film Institute
Report and Financial Statements 31 March 2002.
British Film Institute
2002British Film Institute
Packing for Prague. Sir Alan Parker's vision for the British film industry.
Alex Cox
2002British Film Institute
European film industries.
Anne Jaeckel
2002British Film Institute
To be or not to be.
Nick James
2002British Film Institute
New Film Council funding.
Unspecified Author
2002British Library
UK - what distribution?
Mark Norfolk
2002British Film Institute
Wishful filming.
John Akomfrah
2003British Film Institute
Annual report 2002/ 03.
British Film Institute
2003British Film Institute
Report and Financial Statements 31 March 2003.
British Film Institute
2003British Film Institute
The Place of the Audience: Cultural Geographies of Film Consumption.
Mark Jancovich
Lucy Faire
Sarah Stubbings
2003Unspecified location
The Stats. An Overview of the Film, Television, Video and DVD Industries in the UK 1990-2001.
Erinna Mettler
Phil Wickham
2003British Film Institute
Producing The Goods? UK Film Production Since 1991. An Information Briefing.
Phil Wickham
2003British Film Institute
A good time for action.
British Film Institute
2004Unspecified location
The BFI. A preview.
British Film Institute
2004British Film Institute
Torn curtain.
Unspecified Author
2004British Film Institute
Will an expanded EU help sell European cinema? In your dreams…
Unspecified Author
2004British Film Institute