Browsing : Category 'location'

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TitleAuthor DetailsYearResource Location
Hidden Treasures. The UK Audiovisual Archive Strategic Framework.
ABL Cultural Consulting/ Paul Habbeshon Associates and UK Audiovisual Archive Strategy Steering Group
2004Unspecified location
Screen Traffic. Movies, Multiplexes, and Global Culture.
Charles Acland
2003Unspecified location
Producers call for simpler pre-production closing.
Tim Adler
2004Unspecified location
Stellungnahme der AG Kurzfilm zur verschlechterten Situation des Kurzfilms im Entwurf des Filmfoerderungsgesetzes.
AG Kurzfilm
2003Unspecified location
The Insider's Guide to Film Finance.
Philip Alberstat
2003Unspecified location
Entwurf zur 4. Aenderung des Filmfoerderungsgesetzes. Stellungnahme zur Anhoerung am 15. Oktober 2003.
Arbeitsgemeinschaft Dokumentarfilm/ a.g. dok
2003Unspecified location
Stellungnahme der Arbeitsgemeinschaft Neuer Deutscher Spielfilmproduzenten (AG Spielfilm) zum Kabinettsentwurf eines 4. Gesetzes zur Aenderung des Filmfoerderungsgesetzes.
Arbeitsgemeinschaft Neuer Deutscher Spielfilmproduzenten e.V.
2003Unspecified location
It's like being good parents.
Michael Archer
Anne Hummel
2004Unspecified location
From Analogue to Digital - Cinema in the Digital Age. 4th and 5th March 2004, Birmingham.
Association of Independent Film Exhibitors (AIFE)
2004Unspecified location
Umkehrkopien: Acht Notizen ueber den Umgang der Linken mit den audiovisuellen Medien.
Joerg Auberg
1989Unspecified location
Corporate Populism and Partyless Democracy.
Anthoy Barnett
2000Unspecified location
Credit where it's due.
Leo Barraclough
2003Unspecified location
Cultural Work. Understanding the Cultural Industries.
Andrew Beck
2003Unspecified location
The Recent Free Trade Agreements of the United States as Illustration of Their New Strategy Regarding the Audiovisual Sector.
Ivan Bernier
2004Unspecified location
From London to Los Angeles: A comparison of local labour market processes in the US and UK film industries.
Helen Blair
Nigel Culkin
Keith Randle
2003Unspecified location
The Third Way. New Politics for the New Century.
Tony Blair
1998Unspecified location
European Culture and the Media: Changing Media, Changing Europe.
Ib Bondebjerg
Peter Golding
2004Unspecified location
Guide to Film Finance.
British Film Commission
2001Unspecified location
A good time for action.
British Film Institute
2004Unspecified location
BSAC Review of Fiscal Incentives for the UK Film Industry.
British Screen Advisory Council (BSAC)
2000Unspecified location
Television funding.
Colin Brown
2004Unspecified location
State and Market: Towards a Public Interest Test.
Gordon Brown
2003Unspecified location
Buendnis fuer Film.
Jochen Brunow
1999Unspecified location
Stellungnahme zur Novellierung des FFG, fuer die oeffentliche Anhoerung des Ausschusses fuer Kultur und Medien des Deutschen Bundestages am 15. Oktober.
Bundesverband Audiovisuelle Medien (BVV)
2003Unspecified location
BVF zum FFG. Zum Gesetzesentwurf der Bundesregierung zum Vierten Gesetz zur Aenderung des Filmfoerderungsgesetzes.
Bundesverband Regie (BVR)
2003Unspecified location
Film financier paints a bleak funding picture.
Tim Burt
2004Unspecified location
National Identity.
Keith Cameron
1999Unspecified location
From across the channel.
Philippe Carcasssone
2001Unspecified location
Creative Industries. Contracts Between Art and Commerce.
Richard Caves
2002Unspecified location
Cultural Exception, ok?
Michael Chanan
2003Unspecified location
The bfi will be 67 in the year 2000.
Michael Chanan
Julian Petley
1996Unspecified location
Will Lottery money assure the British film industry? Or should Chris Smith be rediscovering the virtues of state intervention?
Ian Christie
1997Unspecified location
Investors get big tax break in the movies.
Nic Cicutti
2004Unspecified location
Close up on a field without definition.
Unspecified Author
2001Unspecified location
Media and Identity in Contemporary Europe.
Richard Collins
2004Unspecified location
New Media/ New Policies: Media and Communications Strategies for the Future.
Richard Collins
Christina Murroni
1996Unspecified location
The Creative Industries in the East Midlands.
Comedia
2003Unspecified location
Independent cinemas: a case study of independent cinemas with a direct relationship to the British Film Institute.
Comex Education
2000Unspecified location
Communication from the Commission to the Council, the European Parliament, the Economic and Social Committee and the Committee of the Regions on the Follow-up to the Commission Communication on Certain Legal Aspects Relating to Cinematographic and Other A
Commission of the European Communities
2004Unspecified location
Communication from the Commission to the Council, the European Parliament, the Economic and Social Committtee and the Committee of the Regions on Certain Aspects Relating to Cinematographic and other Audiovisual Works.
Commission of the European Communities
2001Unspecified location
European Convention on Cinematographic Co-Production.
Council of Europe
1992Unspecified location
Council Resolution of 12 February 2001: national aid to the film and audiovisual industries.
Council of the European Union
2001Unspecified location
Independents Struggle.
Michael Darlow
2001Unspecified location
Public Relations Democracy: Public Relations, Politics and the Mass Media in Britain.
Aeron Davis
2002Unspecified location
Euro subsidies hit plateau: public funding reaches $1.4 billion for 2002.
Adam Dawtrey
2003Unspecified location
U.K. gov't pumps pic tax breaks. Accountants argue less successful pix will see biggest rewards.
Adam Dawtrey
2003Unspecified location
Quasi Markets, Transaction Costs, and Trust. The Uncertain Effects of Market Reforms in British Television Production.
Simon Deakin
Stephen Pratten
2000Unspecified location
Migration of US Film and Television Production.
Department of Commerce
2000Unspecified location
Chris Smith welcomes huge boost to British film: Challenge to industry to double its domestic audience share.
Department of National Heritage
1997Unspecified location
More help for British film: Virginia Bottomley welcomes plans for film franchises.
Department of National Heritage
1996Unspecified location
Learn to juggle if you need film finance: Production budgets.
Krysia Derecki
2004Unspecified location
Film, Kultur und Gesellschaft. Perspektiven, Positionen, Zugaenge.
Deutsche Gesellschaft fuer Soziologie
2003Unspecified location
Ausschuss fuer Kultur und Medien Wortprotokoll 5. Sitzung, oeffentlich.
Deutscher Bundestag
2003Unspecified location
Beschlussempfehlung und Bericht des Ausschusses fuer Kultur und Medien zu dem Gesetzentwurf der Bundesregierung, Entwurf eines vierten Gesetzes zur Aenderung des Filmfoerdergesetzes.
Deutscher Bundestag
2003Unspecified location
Ausschuss fuer Kultur und Medien Wortprotokoll 14. Sitzung (oeffentlich).
Deutscher Bundestag
2003Unspecified location
Ausschuss fuer Kultur und Medien Wortprotokoll 20. Sitzung (oeffentlich).
Deutscher Bundestag
2003Unspecified location
Organisation, Structure and Development.
EM Media, East Midlands Media Development Consortium
Unspecified location
Overscreening. Ueber die Zukunft des Kinos.
Matthias Elwardt
1999Unspecified location
Local and regional funds in Europe: Towards a real impact on European production?
European Audiovisual Entrepreneurs (EAVE)
2003Unspecified location
European cinema attendance stagnates as local films fail to travel.
European Audiovisual Observatory
2003Unspecified location
Focus 2003. World Film Market Trends.
European Audiovisual Observatory
2003Unspecified location
Yearbook 2003. Film, Television, Video and Multimedia in Europe.
European Audiovisual Observatory
2003Unspecified location
Public funding for the European film industry grows as companies' financial situations weaken.
European Audiovisual Observatory
2002Unspecified location
Proceedings of the workshop "Film Information and Statistics" held within the framework of the conference "Audivisual Policies and their Implementation in the European Union and Turkey" organised by the Turkish Ministry of Culture.
European Audiovisual Observatory
2001Unspecified location
Sequentia: Production Finance.
European Audiovisual Observatory
1995Unspecified location
The European Audiovisual Industry: An Overview.
European Investment Bank
2001Unspecified location
Stellungnahme zum Entwurf des Filmfoerderungsgesetzes.
Export-Union des deutschen Films
2003Unspecified location
Stellungnahme von film20 zum Gesetzentwurf der Bundesregierung "Entwurf eines Vierten Gesetzes zur Aenderung des Filmfoerderungsgesetzes".
Film 20
2003Unspecified location
Guide to UK Film Distribution.
Film Distributors Association (FDA)
2003Unspecified location
Yearbook 2003.
Film Distributors Association (FDA)
2003Unspecified location
FFG-Novelle. Stellungnahme von Dr. Klaus Schaefer, FFF Bayern, fuer die oeffentliche Anhoerung des Ausschusses fuer Kultur und Medien des Deutschen Bundestages am 15. Oktober 2003.
FilmFernsehFonds Bayern (FFF)
2003Unspecified location
FFG-Novelle. Stellungnahme von Michael Schmid-Ospach, Geschaeftsfuehrer der Filmstiftung NRW, fuer die oeffentliche Anhoerung des Ausschusses fuer Kultur und Medien des Deutschen Bundestages am 15. Oktober 2003.
Filmstiftung NRW
2003Unspecified location
The egos have landed. The rise and fall of Palace Pictures.
Angus Finney
1997Unspecified location
The Role of the Creative Industries in Local & Regional Development.
Tom Fleming
1999Unspecified location
Britain's Film and TV Industry.
Foreign and Commonwealth Office
1999Unspecified location
I'm Spartacus! On no longer seeing films made by women.
Catherine Fowler
2002Unspecified location
The European Cinema Reader.
Catherine Fowler
2002Unspecified location
On your marks&
Patrick Frater
2004Unspecified location
Sink or swim.
Caroline Freeman
Kate Gerova
2003Unspecified location
Grundsaetze der Freiwilligen Selbstkontrolle der Filmwirtschaft GmbH.
Freiwillige Selbstkontrolle der Filmwirtschaft (FSK)
2003Unspecified location
Fires were started: British cinema and Thatcherism.
Lester Friedman
1993Unspecified location
A Letter to Chris Smith.
Ben Gibson
1998Unspecified location
A Remit for Cultural Diversity.
Jane Giles
1998Unspecified location
The Films (Modification of the Defintion of "British Film") Order 2000.
Great Britain Statutory Instruments
2000Unspecified location
The Transfer of Function (National Heritage) Order 1992.
Great Britain Statutory Instruments
1992Unspecified location
Stellungnahme zur FFG Novelle.
Gruppe der unabhaengigen Produzenten
2003Unspecified location
The State of the Nation. Das britische Kino der neunziger Jahre.
Kerstin Gutberlet
2001Unspecified location
Making and distributing films in Europe: The problem of nationality.
Michael Gyory
2000Unspecified location
German National Cinema.
Sabine Haake
2002Unspecified location
Cinema exhibition and distribution in Europe: market assessment and forecast.
David Hancock
2000Unspecified location
Waving, drowning or back crawl? Working out (with) British film policy.
Janet Harbord
2002Unspecified location
What is Cinema? The Sensuous, the Abstract and the Political.
Sylvia Harvey
1996Unspecified location
Keynote Address: Cinema Dead or Alive?
Sylvia Harvey
1981Unspecified location
"Eckpunkte des HDF fuer ein besseres FFG" und "Mit dem RegE-FFG gefaehrdet das BKM die nationale Filmfoerderung in Deutschland."
Hauptverband Deutscher Filmtheater e.V. (HDF)
2003Unspecified location
Celebrities cash in on film tax break.
Nicholas Hellen
2003Unspecified location
Independent Cinema.
Gill Henderson
1998Unspecified location
The Blair government in historical perspective.
Peter Hennessy
2002Unspecified location
Reform of the National Lottery. Fifth Report of Session 2003-04.
House of Commons. Culture, Media and Sport Committee
2004Unspecified location
Independent Film Parliament.
Unspecified Author
Unspecified location
Tackling Avoidance: Income Tax - Manipulating of Partnership Losses.
Inland Revenue
2004Unspecified location
Tax Relief for the Production of Low Budget British Films.
Inland Revenue
2004Unspecified location
Stellungnahme zum Entwurf eines Vierten Gesetzes zur Aenderung des Filmfoerderungsgesetzes.
Interessensverband des Video. Und Medienfachhandels in Deutschland (IVD)
2003Unspecified location
Investment Funds for Audiovisual Sector in the European Regions.
Unspecified Author
2003Unspecified location
The Place of the Audience: Cultural Geographies of Film Consumption.
Mark Jancovich
Lucy Faire
Sarah Stubbings
2003Unspecified location
British film production: the independent sector: an introductory guide.
Tricia Jenkins
1996Unspecified location
Die Zukunft des deutschen Films.
Junge Union Deutschland
2002Unspecified location
British film industry celebrates as more than 1bn is spent on movies in 2003.
Louise Jury
2004Unspecified location
The British Film Industry: minutes of evidence, Vol. 1 & 2.
Gerald Kaufman
1994Unspecified location
The British Film Industry: appendices to the minutes of evidence: Vol. I-III.
Gerald Kaufman
1995Unspecified location
Situation unabhaengiger Produzenten in Grossbritannien, Frankreich und den Niederlanden.
Andrea Koenen
Helga Schmid
Runar Woldt
1999Unspecified location
Aktive Buergerschaft konkret verwirklichen: Foerderung der europaeischen Kultur und Vielfalt durch Programme im Bereich Jugend, Buergerbeteiligung, Kultur und audiovisuelle Medien.
Kommission der Europaeischen Gemeinschaften
2004Unspecified location
Filmfoerderung in Deutschland und der EU 2003.
KPMG
2003Unspecified location
Filmfoerderung in Deutschland und der EU 2002.
KPMG
2002Unspecified location
Stellung der Produzenten in Deutschland.
Johannes Kreile
1997Unspecified location
Create the Future: A Strategy for Cultural Policy, Arts and the Creative Economy.
Labour Party
1997Unspecified location
Public funding for film and audiovisual works in Europe - A comparative approach.
Andre Lange
Tim Westcott
2004Unspecified location
The Independents. Britain's new cultural entrepreneurs.
Charles Leadbetter
Kate Oakley
1999Unspecified location
Creative London.
London Development Agency (LDA)
2003Unspecified location
No Cannes do for the Brits.
Geoffrey MacNab
2001Unspecified location
Rewriting the script on film development.
Robin Macpherson
2003Unspecified location
Heaven for movie buffs as arthouse comes to our house.
Jack Malvern
2004Unspecified location
Culture and the Public Sphere.
Jim McGuigan
1996Unspecified location
Pride and prejudice. Why disability film-makers and festivals make a difference.
Julie McNamara
2002Unspecified location
Anhoerung zur Novellierung des Filmfoerdergesetzes.
Mitteldeutscher Rundfunk (MDR) and Zweites Deutsches Fernsehen (ZDF)
2003Unspecified location
Digital Cinema 2002.
Motion Picture Association of America
2002Unspecified location
Improving access to, and education about, the moving image through the British Film Institute.
National Audit Office
2003Unspecified location
Grandeur and Misery of Film Culture.
Geoffrey Nowell-Smith
1996Unspecified location
Draft Regional Assemblies Bill. Policy Statement.
Office of the Deputy Prime Minister
2004Unspecified location
Your region, your choice.
Office of the Deputy Prime Minister
2002Unspecified location
Everything for sale.
Julian Petley
2003Unspecified location
The future of European Audiovisual Policy.
Viviane Reding
2004Unspecified location
A European Knowledge Society in a Global Community.
Viviane Reding
2003Unspecified location
EU Media Policy: "Culture and Competition."
Viviane Reding
2003Unspecified location
European film summit - Europaeischer Filmgipfel.
Viviane Reding
2003Unspecified location
British film production: the commercial sector - an introductory guide.
Richard Rickitt
1996Unspecified location
Looking at Class: Film, Television and the Working Class in Britain.
Sheila Rowbotham
Huw Beynon
2002Unspecified location
A New Map of Hollywood: The Production and Distribution of American Motion Pictures.
Allen J. Scott
2001Unspecified location
Investing in a vision for the East of England.
Screen East
2004Unspecified location
The Contingency of the Cultural Policy Sector: An Hermeneutic Comparison of Cultural Policies.
Hugues Simonin
2003Unspecified location
Don't mind your language.
Leigh Singer
2004Unspecified location
High noon for tax breaks.
Pauline Skypala
2004Unspecified location
Talk of demise exaggerated.
Pauline Skypala
2004Unspecified location
Tax changes could threaten silver screen cash.
Pauline Skypala
2004Unspecified location
Are you ready to sink your money.
Pauline Skypala
2002Unspecified location
Getting it on.
Ben Slater
2003Unspecified location
Under Pressure. Promoting Cultural Diversity in the Age of Globalization.
Joost Smiers
2003Unspecified location
Welcome to the Department for Culture, Media and Sport.
Chris Smith
1997Unspecified location
Tom Clarke minister for cinema films.
Unspecified Author
Unspecified location
Top UK Media Owners.
Unspecified Author
1998Unspecified location
UK government signals tough stance on tax.
Unspecified Author
2004Unspecified location
A Regional Picture. An evaluation of the Regional Investment Fund for England.
UK Film Council
2004Unspecified location
Inform and empower - media literacy in the 21st century.
UK Film Council
2004Unspecified location
Statistical Yearbook/ Annual Review 2003-2004.
UK Film Council
2004Unspecified location
MEDIA at a glance.
UK Media Desk
2004Unspecified location
Convention for the Safeguarding of the Intangible Cultural Heritage.
Unesco
2003Unspecified location
A survey on national cinematography.
Unesco
2000Unspecified location
Putting it on the map. Innovative regional film initiatives for the moving image.
Alex Usborne
2002Unspecified location
Production patchworks. Reg changes still confound even as creatives celebrate demist of Europudding demands.
Variety Staff
2003Unspecified location
Stellungnahme zur FFG-Novelle/ Empfehlung der Ausschuesse des Bundesrates des Verbandes Filmverleiher e.V.
Verband der Filmverleiher e.V. (VdF)
Unspecified location
Stellungnahme zum Entwurf eines 4. Gesetzes zur Aenderung des Filmfoerderungsgesetzes.
Verband deutscher Drehbuchautoren e.V.
2003Unspecified location
Zum Entwurf eine Vierten Gesetzes zur Aenderung des Filmfoerderungsgesetzes (FFG).
Verband Privater Rundfunk und Telekommunikation e.V. (VPRT)
2003Unspecified location
Icons in the Fire: The Decline and Fall of Almost Everybody in the British Film Industry.
Alexander Walker
2004Unspecified location
Der aktuelle Begriff: Kulturelle Vielfalt.
Wissenschaftliche Dienste des Deutschen Bundestages
2004Unspecified location
Der aktuelle Begriff: Kulturfinanzbericht 2003.
Wissenschaftliche Dienste des Deutschen Bundestages
2004Unspecified location
Der aktuelle Begriff: Nachhaltigkeit.
Wissenschaftliche Dienste des Deutschen Bundestages
2004Unspecified location
Nach der Erweiterung: die Foerderung von Kultur und kultureller Vielfalt in der Europaeischen Union.
Wissenschaftliche Dienste des Deutschen Bundestages
2004Unspecified location
Rechtliche und institutionelle Rahmenbedingungen der Kultur in Deutschland.
Wissenschaftliche Dienste des Deutschen Bundestages
2004Unspecified location
Cultural Space as Political Metaphor: the Case of the European 'Quality' Film.
Mary P. Wood
Unspecified location
Cartels and Lotteries: Heritage and Cultural Policy.
Kenneth Worpole
2001Unspecified location
Globalization, soft power and the challenge of Hollywood.
Richard de Zoysa
Otto Newman
2002Unspecified location