| Black British Cinema in the 1990s: Going Going Gone. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Deutsche Filme im Fernsehen. | | 1997 | Deutsche Bücherei | in Amend, Heike; Buetow, Michael, Der bewegte Film | Vistas Verlag |
| Umkehrkopien: Acht Notizen ueber den Umgang der Linken mit den audiovisuellen Medien. | | 1989 | Unspecified location | in Haug, Wolfgang; Sachs, Herby (eds), Die Ausblendung der Wirklichkeit. Texte zur Medien- und Kulturkritik | Trotzdem-Verlag |
| Corporate Populism and Partyless Democracy. | | 2000 | Unspecified location | in Chadwick, Andrew; Heffernan, Richard (eds) (2003), The New Labour Reader | Polity Press |
| Identifying a Policy Hierarchy: Communication Policy, Media Industries and Globalization. | | 2002 | British Library | in Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization" | Routledge |
| Something for Everyone: British Film Culture in the 1990s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Not Having It All: Women and Film in the 1990s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Buendnis fuer Film. | | 1999 | Unspecified location | in Toeteberg, Michael, Szenenwechsel, Momentaufnahmen des jungen deutschen Films | Rowohlt Taschenbuch Verlag |
| Travels in Ladland: The British Gangster Film Cycle, 1998-2001. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| As others see us: British film-making and Europe in the 90s | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| Neither here nor there: National identity in Gainsborough costume drama. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Culture and globalisation. | | 2002 | British Library | in Crane, Diana; Kawashima, Nobuko; Kawasaki, Ken'ichi (eds.) "Global Culture: Media, Arts, Policy, and Globalization" | Routledge |
| The Year in Review. | | 1989 | British Film Institute | in Leafe, David (ed.), Film and Television Yearbook 1990 | BFI |
| The Multiplex: The Modern American Motion Picture Theater as Message. | | 2002 | British Film Institute | Hark, Ina Rae (ed.), Exhibition, the Film Reader | Routledge |
| Overscreening. Ueber die Zukunft des Kinos. | | 1999 | Unspecified location | in Toeteberg, Michael, Szenenwechsel, Momentaufnahmen des jungen deutschen Films | Rowohlt Taschenbuch Verlag |
| Exhibition and the cinema-going experience. | | 2001 | British Film Institute | Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| Exiles and British Cinema. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| You Can Run, But You Can't Hide: Transcultural Filmmaking in Run Lola Run. | | 2003 | British Film Institute | in Halle, Randall; McCarthy, Margaret (eds.), Light Motives. German Popular Film in Perspective. | Wayne State University Press |
| Spoilt for Choice? Multiplexes in the 90s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
| The Wrong Sort of Cinema: Refashioning the Heritage Film. | | 2001 | British Film Institute | in Murphy, Robert (ed.), The British Cinema Book, Second Edition | BFI |
| What is Cinema? The Sensuous, the Abstract and the Political. | | 1996 | Unspecified location | in Williams, Christopher (ed) Cinema: The Beginning and the Future | University Of Westminster Press |
| Keynote Address: Cinema Dead or Alive? | | 1981 | Unspecified location | in British Film Institute, Independent Cinema and Regional Film Culture | University of London, Institute of Education, Media Analysis Paper 2 |
| Catastrophic Cycles. Film and National Culture. | | 2003 | British Library | in Beck, Andrew (ed.), Cultural Work. Understanding the Cultral Industries | Routledge |
| The Heritage Film and British Cinema. | | 1996 | British Film Institute | in Higson, Andrew (ed.), Rethinking British Cinema | Cassell |
| Failure and Utopianism: Representations of the Working Class in British Cinema of the 90s. | | 2000 | British Film Institute | in Murphy, Robert (ed.), British Cinema of the 90s | BFI |
