| Hidden Treasures. The UK Audiovisual Archive Strategic Framework. | | 2004 | Unspecified location |
| Absolute Beginners. | | 1999 | British Film Institute |
| Screen Traffic. Movies, Multiplexes, and Global Culture. | | 2003 | Unspecified location |
| British film industry likely to be weakened by tax credit, says City law firm. | | 2004 | British Film Institute |
| Gordon Brown intercedes to save films stricken by Inland Revenue film tax clampdown. | | 2004 | British Film Institute |
| Industry waiting to find out details on government plans for film tax credit. | | 2004 | British Film Institute |
| Investors melting away as negotiations continue to save stricken film projects. | | 2004 | British Film Institute |
| Just three films gross what cost to make. | | 2004 | British Film Institute |
| Producers call for simpler pre-production closing. | | 2004 | Unspecified location |
| Take the gun out of your mouth. | | 2004 | British Film Institute |
| Developing European regions? Comparative governance, policy networks and European integration. | | 2002 | British Library |
| Stellungnahme der AG Kurzfilm zur verschlechterten Situation des Kurzfilms im Entwurf des Filmfoerderungsgesetzes. | | 2003 | Unspecified location |
| Cultural Policy in the Old Europe: France and Germany. | | 2003 | British Library |
| Wishful filming. | | 2003 | British Film Institute |
| The Insider's Guide to Film Finance. | | 2003 | Unspecified location |
| Black British Cinema in the 1990s: Going Going Gone. | | 2000 | British Film Institute |
| Deutsche Filme im Fernsehen. | | 1997 | Deutsche Bücherei |
| Picture this. | | 1996 | British Film Institute |
| Preparatory Action "Growth and Audiovisual: i2i Audiovisual". | | 2003 | European Union Online |
| Entwurf zur 4. Aenderung des Filmfoerderungsgesetzes. Stellungnahme zur Anhoerung am 15. Oktober 2003. | | 2003 | Unspecified location |
| Stellungnahme der Arbeitsgemeinschaft Neuer Deutscher Spielfilmproduzenten (AG Spielfilm) zum Kabinettsentwurf eines 4. Gesetzes zur Aenderung des Filmfoerderungsgesetzes. | | 2003 | Unspecified location |
| It's like being good parents. | | 2004 | Unspecified location |
| European film production guide: finance, tax, legislation. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| Ambitions into action. | | 2004 | Arts Council of England |
| Annual review 2002/03. | | 2004 | Arts Council of England |
| Focus on cultural diversity: the arts in England. | | 2003 | Arts Council of England |
| Arts without frontiers: a conference on the effects on the arts of the European Single Market, held in association with the Sunday Times and the British Council/ Arts Council of Britain. | | 1990 | Sheffield Hallam University/ Psalter Lane |
| Guidelines for applicants for Lottery funding to produce: Films for the cinema. Artist's film and video. | | 1997 | British Film Institute |
| Film Production Franchising. | | 1996 | British Film Institute |
| National arts and media strategy discussion document. | | 1991 | Sheffield Hallam University/ Psalter Lane |
| A new deal for new UK producers. | | 2002 | British Film Institute |
| Sale and Leaseback of British Films - Frequently Asked Questions. | | 2002 | British Film Institute |
| From Analogue to Digital - Cinema in the Digital Age. 4th and 5th March 2004, Birmingham. | | 2004 | Unspecified location |
| Umkehrkopien: Acht Notizen ueber den Umgang der Linken mit den audiovisuellen Medien. | | 1989 | Unspecified location |
| 7 Jahre Multiplex - Die unendliche Geschichte? Grosskinosituation in Deutschland. | | 2000 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Struktureller Kinomehrbesuch - Ergebnisse bei Neu- und Wiedereroeffnungen. | | 1999 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Audiences, Artists and the Cultural Economy: Reflecting on the Experience of Visual Arts UK. | | 2000 | British Library |
| The British Film Business. | | 2002 | British Library |
| At a cinema near you. Strategies for sustainable local cinema development. | | 2002 | British Film Institute |
| Corporate Populism and Partyless Democracy. | | 2000 | Unspecified location |
| Culture, policy, and subsidiarity in the European Union: From symbolic identity to the governmentalisation of culture. | | 2001 | British Library |
| Credit where it's due. | | 2003 | Unspecified location |
| Training day in the UK. | | 2003 | British Film Institute |
| UK government rules out ticket levy. | | 2003 | British Film Institute |
| Neue Filmfoerderung des Bundes. | | | Deutsche Bücherei, Frankfurt Am Main |
| Cultural Work. Understanding the Cultural Industries. | | 2003 | Unspecified location |
| Low budget feature film production - a view from BECTU. | | 2003 | BECTU |
| DCMS comprehensive spending review: BECTU response to the paper on film policy. | | 1998 | BECTU |
| BECTU submission to UK government film policy review. | | 1997 | BECTU |
| Identifying a Policy Hierarchy: Communication Policy, Media Industries and Globalization. | | 2002 | British Library |
| Comparative Analysis of French and French-Canadian Willingness to Support the National Film Industry. | | 2000 | British Library |
| Auditing culture. | | 2004 | British Library |
| Bend it like Britain. | | 2002 | British Film Institute |
| The German Cinema Book. | | 2002 | British Film Institute |
| The Recent Free Trade Agreements of the United States as Illustration of Their New Strategy Regarding the Audiovisual Sector. | | 2004 | Unspecified location |
| BFI Director to leave. | | 1997 | British Library |
| BFI Welcomes New Chairman. | | 1997 | British Library |
| Flexible Films? | | 1998 | British Library |
| From London to Los Angeles: A comparison of local labour market processes in the US and UK film industries. | | 2003 | Unspecified location |
| The Third Way. New Politics for the New Century. | | 1998 | Unspecified location |
| German private media funds. | | 2004 | Deutsche Bücherei, Frankfurt Am Main |
| Film industry bodies lodge protest at 'half-baked' German Film Law. | | 2003 | British Film Institute |
| German funds boost local spend. | | 2003 | British Film Institute |
| German funds confront a burning issue. | | 2003 | British Film Institute |
| German funds eye US distrib. | | 2003 | British Film Institute |
| German producers attack film law change. | | 2003 | British Film Institute |
| German tax funds get reprieve. | | 2003 | British Film Institute |
| Media funds in Germany raise over $2bn in 2002. | | 2003 | British Film Institute |
| Surviving Bankruptcy. | | 2003 | British Film Institute |
| The purse strings tighten. | | 2003 | British Film Institute |
| The small screen test. | | 2003 | British Film Institute |
| Distribution call from Euro animators. | | 2002 | British Film Institute |
| End of the German Klondike? | | 2002 | British Film Institute |
| German fund mania rages on. | | 2002 | British Film Institute |
| German prod'n 'bombshell'. | | 2002 | British Film Institute |
| German regional office fights for survival. | | 2002 | British Film Institute |
| Germans seek to retain local cash. | | 2002 | British Film Institute |
| Germany staggers to its feet. | | 2002 | British Film Institute |
| Schroeder pledges film cash. | | 2002 | British Film Institute |
| Multiplex-Kinos: Standortkonkurrenz Innenstadt und "Gruene Wiese". Vergleich deutscher, franzoesischer und englischer Steuerinstrumente. | | 1996 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Filminhalte und Zielgruppen 4. | | 2004 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Filminhalte und Zielgruppen und die Wege der Filmauswahl. | | 2001 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Das Kinobesucherpotential 2010. | | 2001 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| European Culture and the Media: Changing Media, Changing Europe. | | 2004 | Unspecified location |
| The Film Industry in Britain and France: Strategies for Success. Report of a Seminar March 2000. | | 2000 | British Library |
| British by birth. | | 2003 | British Film Institute |
| Guide to Film Finance. | | 2001 | Unspecified location |
| The British Film Commission. | | 1995 | Sheffield Hallam University/ Psalter Lane |
| A good time for action. | | 2004 | Unspecified location |
| The BFI. A preview. | | 2004 | British Film Institute |
| Annual report 2002/ 03. | | 2003 | British Film Institute |
| Report and Financial Statements 31 March 2003. | | 2003 | British Film Institute |
| Annual Review 2001/ 02. | | 2002 | British Film Institute |
| Report and Financial Statements 31 March 2002. | | 2002 | British Film Institute |
| Annual Review 2000/2001. | | 2001 | British Film Institute |
| Annual Review 1 April 1999 - 31 March 2000. | | 2000 | British Film Institute |
| Royal Charter. (As amended and in effect from 19 April 2000.) | | 2000 | British Film Institute |
| Annual Review 1998/ 99. | | 1999 | British Film Institute |
| Making Movies Matter. Report from the Film Education Working Group. | | 1999 | British Film Institute |
| Essential background to understanding the current GATS negotiations: A report on a draft convention on cultural diversity. | | 2002 | British Screen Advisory Council |
| The GATS and the European Film Industry. | | 2002 | British Screen Advisory Council |
| Achieving Diversity in the Film Industry. | | 2001 | British Screen Advisory Council |
| A Brighter Picture. | | 2000 | British Screen Advisory Council |
| BSAC Review of Fiscal Incentives for the UK Film Industry. | | 2000 | Unspecified location |
| Potential Changes to the Established Release Patterns for Films. | | 1999 | British Screen Advisory Council |
| Television funding. | | 2004 | Unspecified location |
| Flushing out the true indies. | | 2003 | British Film Institute |
| Wake up and smell le café. | | 2002 | British Film Institute |
| Something for Everyone: British Film Culture in the 1990s. | | 2000 | British Film Institute |
| Nicht nur Trainspotting. | | 2001 | Deutsche Bücherei, Frankfurt Am Main |
| State and Market: Towards a Public Interest Test. | | 2003 | Unspecified location |
| Not Having It All: Women and Film in the 1990s. | | 2000 | British Film Institute |
| Buendnis fuer Film. | | 1999 | Unspecified location |
| Building blocks. | | 1996 | British Film Institute |
| Filmfoerderungsrichtlinien der BKM. | | 2002 | German Federal Government |
| Filmpolitisches Konzept. | | 2001 | German Federal Government |
| Stellungnahme zur Novellierung des FFG, fuer die oeffentliche Anhoerung des Ausschusses fuer Kultur und Medien des Deutschen Bundestages am 15. Oktober. | | 2003 | Unspecified location |
| BVF zum FFG. Zum Gesetzesentwurf der Bundesregierung zum Vierten Gesetz zur Aenderung des Filmfoerderungsgesetzes. | | 2003 | Unspecified location |
| German cultural policy: An overview. | | 2003 | British Library |
| Film financier paints a bleak funding picture. | | 2004 | Unspecified location |
| UK film boosted by loose definition. | | 2003 | British Film Institute |
| UK statistics reveal uneven picture. | | 2003 | British Film Institute |
| National Identity. | | 1999 | Unspecified location |
| From across the channel. | | 2001 | Unspecified location |
| The film institute and the rising tide: an interview with Colin McCabe. | | 2000 | British Film Institute |
| The British Film Institute: re-tooling the culture industry. | | 1990 | British Film Institute |
| The Companion to British and Irish Cinema. | | 1996 | British Library |
| Putting the "Art" Back Into Arts Policy Making: How Arts Policy has been "Captured" by the Economists and the Marketers. | | 2003 | British Library |
| Creative Industries. Contracts Between Art and Commerce. | | 2002 | Unspecified location |
| The New Labour Reader. | | 2003 | British Library |
| Cultural Exception, ok? | | 2003 | Unspecified location |
| The bfi will be 67 in the year 2000. | | 1996 | Unspecified location |
| Lowdown. The Low Budget Funding Guide. | | 1999 | Sheffield Hallam University/ Psalter Lane |
| EIB fails to deliver Reding's European funding promises. | | 2002 | British Film Institute |
| Local financing more effective than Euro cash. | | 2002 | British Film Institute |
| Maystadt hits back at EIB film funding critics. | | 2002 | British Film Institute |
| Travels in Ladland: The British Gangster Film Cycle, 1998-2001. | | 2001 | British Film Institute |
| As others see us: British film-making and Europe in the 90s | | 2000 | British Film Institute |
| Will Lottery money assure the British film industry? Or should Chris Smith be rediscovering the virtues of state intervention? | | 1997 | Unspecified location |
| Investors get big tax break in the movies. | | 2004 | Unspecified location |
| The 51st State. | | 2003 | British Film Institute |
| Close up on a field without definition. | | 2001 | Unspecified location |
| New Labour in Power. | | 2000 | British Library |
| Media and Identity in Contemporary Europe. | | 2004 | Unspecified location |
| New Media/ New Policies: Media and Communications Strategies for the Future. | | 1996 | Unspecified location |
| The Creative Industries in the East Midlands. | | 2003 | Unspecified location |
| Independent cinemas: a case study of independent cinemas with a direct relationship to the British Film Institute. | | 2000 | Unspecified location |
| Communication from the Commission to the Council, the European Parliament, the Economic and Social Committee and the Committee of the Regions on the Follow-up to the Commission Communication on Certain Legal Aspects Relating to Cinematographic and Other A | | 2004 | Unspecified location |
| Communication from the Commission to the Council, the European Parliament, the Economic and Social Committtee and the Committee of the Regions on Certain Aspects Relating to Cinematographic and other Audiovisual Works. | | 2001 | Unspecified location |
| The Feature Film Distribution Deal: A critical analysis of the single most important film industry agreement. | | 1997 | British Film Institute |
| Growth or decline? The European TV and film industries in crisis: Proceedings of the plenary meeting of the European Television and Film Forum, Seville, 1992. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| Neither here nor there: National identity in Gainsborough costume drama. | | 1996 | British Film Institute |
| European Convention on Cinematographic Co-Production. | | 1992 | Unspecified location |
| Council Resolution of 12 February 2001: national aid to the film and audiovisual industries. | | 2001 | Unspecified location |
| First Films 2. Essential information for screenwriters, directors and producers. | | 2003 | British Film Institute |
| Q&A Tracey Scoffield. | | 2002 | British Film Institute |
| Packing for Prague. Sir Alan Parker's vision for the British film industry. | | 2002 | British Film Institute |
| Rooms without a view. | | 1991 | British Library |
| Culture and globalisation. | | 2002 | British Library |
| Media Policy Paradigm Shifts. Towards a New Communications Policy Paradigm. | | 2003 | British Library |
| Media and Power. | | 2002 | British Library |
| The Movie Game. The Film Business in Britain, Europe and America. | | 1997 | British Library |
| Europa Europa: Developing the European film industry. | | 1992 | Sheffield Hallam University/ Psalter Lane |
| Britain's Mystery Moguls. | | 2004 | British Film Institute |
| When you're hot, you're hot. | | 2004 | British Film Institute |
| Broadcasters urged to do more for European film. | | 2003 | British Film Institute |
| Inward and upwards. | | 2003 | British Film Institute |
| UK admissions overtake Germany. | | 2003 | British Film Institute |
| 2002:The United States of Cinema. | | 2003 | British Film Institute |
| Ad surge boosts UK exhibs. | | 2002 | British Film Institute |
| Island of opportunity. | | 2002 | British Film Institute |
| Spreading the word on UK docs. | | 2002 | British Film Institute |
| UK, France forge cross channel film alliance. | | 2002 | British Film Institute |
| BBC - the extra terrestrial. | | 2002 | British Film Institute |
| Independents Struggle. | | 2001 | Unspecified location |
| Public Relations Democracy: Public Relations, Politics and the Mass Media in Britain. | | 2002 | Unspecified location |
| Euro subsidies hit plateau: public funding reaches $1.4 billion for 2002. | | 2003 | Unspecified location |
| U.K. gov't pumps pic tax breaks. Accountants argue less successful pix will see biggest rewards. | | 2003 | Unspecified location |
| The Year in Review. | | 1989 | British Film Institute |
| Competitiveness policy and economic organization: the case of the British film industry. | | 2000 | British Film Institute |
| Quasi Markets, Transaction Costs, and Trust. The Uncertain Effects of Market Reforms in British Television Production. | | 2000 | Unspecified location |
| Verteidigung der Vielfalt. | | 2001 | Deutsche Bücherei, Frankfurt Am Main |
| Democratising the industry. | | 2003 | British Film Institute |
| Annual Report 2004. | | 2004 | Department for Culture, Media and Sport |
| Culture at the Heart of Regeneration. | | 2004 | Department for Culture, Media and Sport |
| Government Response to the Culture, Media and Sport Select Committee Report on the DCMS Annual Report: Work of the Department in 2002-03, Session 2003-2004. | | 2004 | Department for Culture, Media and Sport |
| Sustainable Development Strategy, February 2004. | | 2004 | Department for Culture, Media and Sport |
| British Film Industry. Government Response to the Select Committee Report on the British Film Industry Session 2002-2003. | | 2003 | Department for Culture, Media and Sport |
| Creative Industries Economic Estimates. Statistical Bulletin, July 2003. | | 2003 | Department for Culture, Media and Sport |
| Funding Agreement between the Department for Culture, Media and Sport and the Film Council for 2003-06. | | 2003 | Department for Culture, Media and Sport |
| Guidelines on Film Co-production. | | 2003 | Department for Culture, Media and Sport |
| Qualifying British Films - Synopsis of Eligibility Criteria under Schedule 1 of the Films Act 1985. | | 2003 | Department for Culture, Media and Sport |
| Report on the Creative Industries Finance Conference. Good Practice in Financing Creative Businesses. | | 2002 | Department for Culture, Media and Sport |
| Review of Lottery Funding. A consultation paper on Lottery distribution policy, July 2002. | | 2002 | Department for Culture, Media and Sport |
| Creative Industries Mapping Document. | | 2001 | Department for Culture, Media and Sport |
| Agreement between the Department fur Culture, Media and Sport and Film Council for 2000-2002. | | 2000 | Department for Culture, Media and Sport |
| Regional Cultural Data Framework: A User's Guide for Researchers and Policymakers. | | 2002 | Department for Culture, Media and Sport |
| Screen Digest Report on the Implications of Digital Technology for the Film Industry. | | 2002 | British Library |
| Migration of US Film and Television Production. | | 2000 | Unspecified location |
| Chris Smith welcomes huge boost to British film: Challenge to industry to double its domestic audience share. | | 1997 | Unspecified location |
| More help for British film: Virginia Bottomley welcomes plans for film franchises. | | 1996 | Unspecified location |
| The British Film Industry. | | 1995 | British Library |
| Learn to juggle if you need film finance: Production budgets. | | 2004 | Unspecified location |
| Screen Finance UK Box Office 2000. | | 2000 | British Film Institute |
| Film, Kultur und Gesellschaft. Perspektiven, Positionen, Zugaenge. | | 2003 | Unspecified location |
| Ausschuss fuer Kultur und Medien Wortprotokoll 5. Sitzung, oeffentlich. | | 2003 | Unspecified location |
| Beschlussempfehlung und Bericht des Ausschusses fuer Kultur und Medien zu dem Gesetzentwurf der Bundesregierung, Entwurf eines vierten Gesetzes zur Aenderung des Filmfoerdergesetzes. | | 2003 | Unspecified location |
| Ausschuss fuer Kultur und Medien Wortprotokoll 14. Sitzung (oeffentlich). | | 2003 | Unspecified location |
| Ausschuss fuer Kultur und Medien Wortprotokoll 20. Sitzung (oeffentlich). | | 2003 | Unspecified location |
| Novelle zum Filmfoerderungsgesetz nach Abschluss der parlamentarischen Beratungen. | | 2003 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Gesetz ueber Massnahmen zur Foerderung des deutschen Films (Filmfoerderungsgesetz - FFG) vom 6. August 1998. | | 1998 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Rogue Reels. Oppositional Film in Britain, 1945-1990. | | 1999 | British Film Institute |
| Aid for cinematographic and audio-visual production in Europe: Council of Europe study. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| Distribution out of the Dark. | | 2000 | British Film Institute |
| Diversity Challenge. | | 1998 | British Film Institute |
| Never a sure thing. | | 1997 | British Film Institute |
| Cause and effects. | | 1999 | British Film Institute |
| Media ownership.The economics and politics of convergence and concentration in the UK and European media. | | 2002 | British Library |
| Understanding Media Economics. | | 2002 | British Library |
| Competition, Cultural Variety and Global Governance: The Case of the UK Audiovisual System. | | 2003 | Hamburg Institute of International Economics |
| KPMG looks at forming a new exhibition circuit. | | 2001 | British Film Institute |
| The 'Social' in the Institutionalisation of Local Cultural Policies in France and Germany. | | 2003 | British Library |
| Organisation, Structure and Development. | | | Unspecified location |
| My Indecision is Final. The Rise and Fall of Goldcrest Films. | | 1990 | British Film Institute |
| The Multiplex: The Modern American Motion Picture Theater as Message. | | 2002 | British Film Institute |
| Popular Cinemas of Europe. Studies of Texts, Contexts and Frameworks. | | 2001 | British Film Institute |
| Overscreening. Ueber die Zukunft des Kinos. | | 1999 | Unspecified location |
| Financial statements for the year ended 31st March 2003. | | 2003 | Companies House |
| Building On Success. A Survey of 12 Independent Production Companies Outside of London. | | 2000 | 21st Century Era - Economic and Regional Analysis |
| Film Council Regional Consultation Briefing Papers. Paper 1: Strategy, Planning and Support Structures. | | 2000 | 21st Century Era - Economic and Regional Analysis |
| Film Council Regional Consultation Briefing Papers. Paper 2: Regional Film Production in England. Infrastructure, Economy and Talent. | | 2000 | 21st Century Era - Economic and Regional Analysis |
| Film Council Regional Consultation Briefing Papers. Paper 3: Regional Development Agencies. Priorities and Support for Film as a Creative Industry. | | 2000 | 21st Century Era - Economic and Regional Analysis |
| Regional Consultation Briefing Papers. Paper 4: Regional Screen Commissions. Inward Investment and Production in the Regions. | | 2000 | 21st Century Era - Economic and Regional Analysis |
| Europe takes a breather. | | 2003 | British Film Institute |
| Local and regional funds in Europe: Towards a real impact on European production? | | 2003 | Unspecified location |
| European cinema attendance stagnates as local films fail to travel. | | 2003 | Unspecified location |
| European Public Film Support within the WTO Framework. | | 2003 | European Audio-Visual Observatory |
| Focus 2003. World Film Market Trends. | | 2003 | Unspecified location |
| Yearbook 2003. Film, Television, Video and Multimedia in Europe. | | 2003 | Unspecified location |
| Public funding for the European film industry grows as companies' financial situations weaken. | | 2002 | Unspecified location |
| National Film Production Aid: Legislative Characteristics and Trends. | | 2001 | European Audio-Visual Observatory |
| Proceedings of the workshop "Film Information and Statistics" held within the framework of the conference "Audivisual Policies and their Implementation in the European Union and Turkey" organised by the Turkish Ministry of Culture. | | 2001 | Unspecified location |
| Sequentia: Production Finance. | | 1995 | Unspecified location |
| The Audio-visual media in the single European market. | | 1988 | Sheffield Hallam University/ Psalter Lane |
| The European Audiovisual Industry: An Overview. | | 2001 | Unspecified location |
| European identity in cinema. | | 1996 | British Film Institute |
| Stellungnahme zum Entwurf des Filmfoerderungsgesetzes. | | 2003 | Unspecified location |
| Exhibition and the cinema-going experience. | | 2001 | British Film Institute |
| Financial body blow to film society movement. | | 2004 | Guardian Film Website |
| Passport to prosperity. | | 2003 | Variety magazine |
| EU-Expansion and the Film Industry. Challenges and Opportunities of EU expansion into Eastern Europe. | | 2003 | Film20 FilmProduktion |
| Hier ist vorne! Mittelstandsoffensive fuer Wachstum und Beschaeftigung der Filmwirtschaft. | | 2003 | Film20 FilmProduktion |
| Pro Produzent - Pro Filmwirtschaft. Massnahmenpaket fuehrender Medienkanzleien zur Verbesserung der rechtlichen Rahmenbedingungen fuer die deutsche Filmwirtschaft. | | 2003 | Film20 FilmProduktion |
| Stellungnahme von film20 zum Gesetzentwurf der Bundesregierung "Entwurf eines Vierten Gesetzes zur Aenderung des Filmfoerderungsgesetzes". | | 2003 | Unspecified location |
| A Better Picture. A consultation paper on three financial measures. | | 2002 | UK Film Council |
| A Better Picture. Specialised exhibition and distribution strategy. A digest of consultation responses. | | 2002 | UK Film Council |
| Report and Group Accounts for the Year ended 31 March 2001. | | 2001 | UK Film Council |
| Film in England. A Development Strategy for Film and the Moving Image in the English Regions. | | 2000 | UK Film Council |
| Lottery Strategic Plan. | | 2000 | UK Film Council |
| Towards a Sustainable Film Industry. | | 2000 | British Film Institute |
| Film Council: a work in progress. A consultation paper on Lottery strategy as part of overall support for film. | | | Sheffield Hallam University/ Psalter Lane |
| Working together, making a difference. The work of the public film agencies in the UK. | | | UK Film Council |
| Guide to UK Film Distribution. | | 2003 | Unspecified location |
| Yearbook 2003. | | 2003 | Unspecified location |
| Film education. The British film industry today - a progress report. | | 1998 | Sheffield Hallam University/ Psalter Lane |
| 2003/2004 Annual Report. | | 2004 | Film London |
| A bigger picture. The report of the film policy review group. | | 1998 | British Film Institute |
| Film und TV sind keine Gegenpole mehr. | | 2004 | Deutsche Bücherei |
| FFG-Novelle. Stellungnahme von Dr. Klaus Schaefer, FFF Bayern, fuer die oeffentliche Anhoerung des Ausschusses fuer Kultur und Medien des Deutschen Bundestages am 15. Oktober 2003. | | 2003 | Unspecified location |
| Geschaeftsbericht 2003. | | 2003 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Oeffentliche Anhoerung am 15. Oktober 2003. | | 2003 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Programmkinos in der BR Deutschland 2000 bis 2002 und ihr Publikum in 2002. | | 2003 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Satzung. | | 2003 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Stellungnahme der Filmfoerderungsanstalt (FFA) zur Gemeinsamen Erklaerung der 15 nationalen Foerderinstitutionen der EU ueber die Notwendigkeit der Kinofilmfoerderung in Europa. | | 2003 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| FFG-Novelle. Stellungnahme von Michael Schmid-Ospach, Geschaeftsfuehrer der Filmstiftung NRW, fuer die oeffentliche Anhoerung des Ausschusses fuer Kultur und Medien des Deutschen Bundestages am 15. Oktober 2003. | | 2003 | Unspecified location |
| The egos have landed. The rise and fall of Palace Pictures. | | 1997 | Unspecified location |
| Developing feature films in Europe: a practical guide. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| The state of European cinema: A new dose of reality. | | 1996 | British Film Institute |
| A Dose of Reality: The State of European Cinema. | | 1993 | British Film Institute |
| Filmstatistisches Jahrbuch 2003. | | 2003 | Deutsche Bücherei |
| The Role of the Creative Industries in Local & Regional Development. | | 1999 | Unspecified location |
| Kino und Kredite. | | 2001 | Deutsche Bücherei |
| European Cinema. An Introduction. | | 2000 | British Film Institute |
| The Warwick Conference on European Cinema. | | 1990 | British Film Institute |
| Beyond borders. | | 2003 | British Film Institute |
| easyCinema settles for 'former blockbusters' from Warner Bros. | | 2003 | British Film Institute |
| Expansion in its sites. | | 2003 | British Film Institute |
| Q&A Stelios Haji-Ioannou. | | 2003 | British Film Institute |
| SBC takes over Warner Village in UK. | | 2003 | British Film Institute |
| Brand new world. | | 2002 | British Film Institute |
| Glimmer of hope for facilities sector. | | 2002 | British Film Institute |
| Rise in UK admission echoes European boom. | | 2002 | British Film Institute |
| UK exhibitors must work together, urges Till. | | 2002 | British Film Institute |
| UK production spend drops in 2001 as US studios stay away. | | 2002 | British Film Institute |
| Britain's Film and TV Industry. | | 1999 | Unspecified location |
| Tax breaks around the world: U.K. | | 2002 | British Film Institute |
| U.K. indies struggle to boost local pix. | | 2002 | British Film Institute |
| I'm Spartacus! On no longer seeing films made by women. | | 2002 | Unspecified location |
| The European Cinema Reader. | | 2002 | Unspecified location |
| A sigh of relief. | | 2004 | British Film Institute |
| Bigger can be beautiful. | | 2004 | British Film Institute |
| Chasing the dollar worldwide. | | 2004 | British Film Institute |
| Cometh the hour, cometh the man. | | 2004 | British Film Institute |
| On your marks& | | 2004 | Unspecified location |
| A 'firmer', 'livelier' EFM. | | 2003 | British Film Institute |
| A problem in the pipeline. | | 2003 | British Film Institute |
| Films without frontiers, please. | | 2003 | British Film Institute |
| Media Salles details multiplex effect. | | 2003 | British Film Institute |
| Probst probes sales outlook. | | 2003 | British Film Institute |
| Screen Summit: 'pros needed'. | | 2003 | British Film Institute |
| The Contender. | | 2003 | British Film Institute |
| The unprofessionals? | | 2003 | British Film Institute |
| A funeral no-one will attend. | | 2002 | British Film Institute |
| CNC report raps Eurimages. | | 2002 | British Film Institute |
| Euro so fine. | | 2002 | British Film Institute |
| Till enters field of PolyGram dreams. | | 2002 | British Film Institute |
| Neuer Markt to be scrapped. | | 2002 | British Film Institute |
| Sink or swim. | | 2003 | Unspecified location |
| Grundsaetze der Freiwilligen Selbstkontrolle der Filmwirtschaft GmbH. | | 2003 | Unspecified location |
| "Bis hierhin und nicht weiter." Hearing zur Situation von Frauen in den Filmberufen Regie, Kamera, Ton und Komposition. | | 2002 | Freunde der Deutschen Kinemathek |
| Fires were started: British cinema and Thatcherism. | | 1993 | Unspecified location |
| Across the Pond. | | 2000 | British Film Institute |
| Gangbusters. | | 2000 | British Film Institute |
| Laissez-faire eats the soul: film funding in the UK. | | 2002 | British Film Institute |
| A Letter to Chris Smith. | | 1998 | Unspecified location |
| A Filmmakers' Guide to Distribution and Exhibition. | | 2001 | British Film Institute |
| A Remit for Cultural Diversity. | | 1998 | Unspecified location |
| In Echtzeit. Der junge deutsche Film. | | 2004 | Deutsche Bücherei |
| Future Imperfect. | | 1992 | British Library |
| European Perspectives on Cultural Policy. | | 2001 | British Library |
| Der Willle zaehlt. | | 2001 | Deutsche Bücherei |
| Exiles and British Cinema. | | 2001 | British Film Institute |
| National Lottery Act 1998. | | 1998 | British Film Institute |
| Finance (No. 2) Act 1997. | | 1997 | British Film Institute |
| Finnace (No. 2) Act. | | 1992 | British Film Institute |
| British Film Institute Southbank Act. | | 1990 | British Film Institute |
| Films Act 1985. | | 1985 | British Film Institute |
| The Films (Modification of the Defintion of "British Film") Order 2000. | | 2000 | Unspecified location |
| The Films (Modification of the Definition of "British Film") Order 1999. | | 1999 | British Film Institute |
| The Films (Exhibition Periods) Order 1996. | | 1996 | British Film Institute |
| The Transfer of Function (National Heritage) Order 1992. | | 1992 | Unspecified location |
| London's Creative Sector: 2004 Update. | | 2004 | Greater London Authority |
| European film-making under threat. | | 2002 | British Film Institute |
| Learning from Experience: Cultural Policies and Cultural Democracy in the 20th Century. | | 2000 | British Library |
| Europe considers ambitious film vision. | | 2003 | British Film Institute |
| Cinemagoing Central Europe. | | 2003 | Sheffield Hallam University/ Psalter Lane |
| Cinemagoing Europe. | | 2003 | Sheffield Hallam University/ Psalter Lane |
| Cinemagoing 11. | | 2003 | Sheffield Hallam University/ Psalter Lane |
| Cinemagoing 10. | | 2002 | Sheffield Hallam University/ Psalter Lane |
| Stellungnahme zur FFG Novelle. | | 2003 | Unspecified location |
| The State of the Nation. Das britische Kino der neunziger Jahre. | | 2001 | Unspecified location |
| Making and distributing films in Europe: The problem of nationality. | | 2000 | Unspecified location |
| German National Cinema. | | 2002 | Unspecified location |
| You Can Run, But You Can't Hide: Transcultural Filmmaking in Run Lola Run. | | 2003 | British Film Institute |
| Get Your Film Funded. UK film finance guide 03/04. | | 2003 | British Film Institute |
| Cinema exhibition and distribution in Europe: market assessment and forecast. | | 2000 | Unspecified location |
| Global film production. | | 1998 | European Audio-Visual Observatory - Article |
| Spoilt for Choice? Multiplexes in the 90s. | | 2000 | British Film Institute |
| The Wrong Sort of Cinema: Refashioning the Heritage Film. | | 2001 | British Film Institute |
| Hands Off Our Subsidies. | | 2003 | British Film Institute |
| Film Cultures. | | 2002 | British Film Institute |
| Waving, drowning or back crawl? Working out (with) British film policy. | | 2002 | Unspecified location |
| What is Cinema? The Sensuous, the Abstract and the Political. | | 1996 | Unspecified location |
| Keynote Address: Cinema Dead or Alive? | | 1981 | Unspecified location |
| Independent cinema. | | 1978 | British Library |
| A Good Time for Action. Feedback to the British Film Institute from the University of Lincoln, AHRB Centre for British Film and Television Studies. | | 2004 | AHRB Centre For British Film and Television Studies |
| Response to the paper, Government and the Value of Culture, by the Scretary of State, Tessa Jowell. | | 2004 | AHRB Centre For British Film and Television Studies |
| Three Years On. Response to the UK Film Council from the University of Lincoln, AHRB Centre for British Film and Television Studies. | | 2004 | AHRB Centre For British Film and Television Studies |
| Developing a Sustainable Film Industry: The Role of Film Culture. | | 2003 | AHRB Centre For British Film and Television Studies |
| "Eckpunkte des HDF fuer ein besseres FFG" und "Mit dem RegE-FFG gefaehrdet das BKM die nationale Filmfoerderung in Deutschland." | | 2003 | Unspecified location |
| Taetigkeitsbericht - Der HDF 2003. | | 2003 | HDF |
| Geschaeftsbericht 2002. | | 2002 | HDF |
| State, culture and the cinema: Jack Lang's strategies for the French film industry. | | 1993 | British Film Institute |
| European film financing and marketing: the creative partnership. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| The View from Downing Street. | | 1991 | British Library |
| Alle Macht den Banken. | | 2002 | British Film Institute |
| Low-Budget-Land Deutschland. | | 2002 | British Film Institute |
| Produzieren zwischen Anspruch und Quote. | | 2004 | Deutsche Bücherei |
| Celebrities cash in on film tax break. | | 2003 | Unspecified location |
| Independent Cinema. | | 1998 | Unspecified location |
| The Blair government in historical perspective. | | 2002 | Unspecified location |
| Catastrophic Cycles. Film and National Culture. | | 2003 | British Library |
| Britain has a new film establishment and it is leading us towards disaster. | | 1998 | British Library |
| Nationale Handwerksbetriebe. | | 2001 | Deutsche Bücherei |
| The Heritage Film and British Cinema. | | 1996 | British Film Institute |
| Waving the Flag: Constructing a National Cinema in Britain. | | 1995 | British Film Institute |
| The Concept of National Cinema. | | 1989 | British Film Institute |
| "Film Europe" and "Film America". Cinema, Commerce and Cultural Exchange 1920-1939. | | 1999 | British Library |
| Failure and Utopianism: Representations of the Working Class in British Cinema of the 90s. | | 2000 | British Film Institute |
| British Cinema as National Cinema: Production, Audience and Representation. | | 2001 | British Film Institute |
| "Changing of the guard": Channel 4, FilmFour and film policy. Paul Webster interviewed by John Hill. | | 2002 | British Film Institute |
| British Cinema in the 1980s. | | 1999 | British Film Institute |
| British Film Policy. | | 1996 | British Film Institute |
| British Film Industry Conference, London, 8 November 1993. | | 1994 | British Film Institute |
| Border Crossing. Film in Ireland, Britain and Europe. | | 1994 | British Film Institute |
| Transatlantisches Schattenboxen. | | 2001 | Deutsche Bücherei |
| 2004 Spending Review. | | 2004 | HM Treasury |
| The Green Book. Appraisal and Evaluation in Central Government. | | 2003 | HM Treasury |
| Filmpolitik und die visuelle Konstruktion des Politischen. | | 1998 | British Library |
| European film finance and marketing: seminar report, Madrid May 30 - June 1, 1991. | | 1991 | Sheffield Hallam University/ Psalter Lane |
| Reform of the National Lottery. Fifth Report of Session 2003-04. | | 2004 | Unspecified location |
| The British Film Industry. Sixth Report of Session 2002-2003. | | 2003 | British Film Institute |
| How the Budget Adds Up. | | 1997 | British Library |
| Key Note 1995 Market Report: The Film Industry. | | 1995 | British Library |
| New Labour policies for the media and the arts. | | 2000 | British Library |
| Where to make a low-budget film. | | 2002 | British Film Institute |
| Mail bonding. | | 2004 | British Film Institute |
| Scotland the Brave. | | 2004 | British Film Institute |
| Scotland: The Jacket fits. | | 2004 | British Film Institute |
| BAFTA bows to Oscar. | | 2003 | British Film Institute |
| BAFTA plays its own tune. | | 2003 | British Film Institute |
| BAFTA nominations. | | 2002 | British Film Institute |
| Der Produzent. | | 2000 | Deutsche Bücherei |
| Budgets and markets: a study of the budgeting of European film. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| Cinema 1989-1990: Production. | | 1990 | British Film Institute |
| Independent Film Parliament. | | | Unspecified location |
| The Case for Rural Cinema. A report for East Midlands Arts, Eastern Arts and the British Film Institute. | | 1999 | British Film Institute |
| Tackling Avoidance: Income Tax - Manipulating of Partnership Losses. | | 2004 | Unspecified location |
| Tax Relief for the Production of Low Budget British Films. | | 2004 | Unspecified location |
| Stellungnahme zum Entwurf eines Vierten Gesetzes zur Aenderung des Filmfoerderungsgesetzes. | | 2003 | Unspecified location |
| Investment Funds for Audiovisual Sector in the European Regions. | | 2003 | Unspecified location |
| European film industries. | | 2002 | British Film Institute |
| Film Policy and Cooperation Between East and West: The Case of France and Romania in the Nineties. | | 2000 | British Library |
| European Co-Production Strategies: The Case of France and Britain. | | 1996 | British Film Institute |
| Days of Independence. | | 1993 | British Library |
| The Thoughts of Chairman Alan. | | 1997 | British Film Institute |
| In Bed with the Film Council. | | 2001 | British Film Institute |
| They Think It's All Over: British Cinema's US Surrender. | | 2001 | British Film Institute |
| To be or not to be. | | 2002 | British Film Institute |
| Digital Deluge. | | 2001 | British Film Institute |
| The Place of the Audience: Cultural Geographies of Film Consumption. | | 2003 | Unspecified location |
| Schreckgespenst Amerika. | | 2001 | Deutsche Bücherei |
| Die Filmpolitik der Europaeischen Union im Spannungsfeld zwischen nationaler staatlicher Foerderung und US-amerikanischer Mediendominanz. | | 1998 | British Library |
| British film production: the independent sector: an introductory guide. | | 1996 | Unspecified location |
| Government and the Value of Culture. | | 2004 | Department for Culture, Media and Sport |
| Valuing Culture. | | 2003 | Department for Culture, Media and Sport |
| Die Zukunft des deutschen Films. | | 2002 | Unspecified location |
| British film industry celebrates as more than 1bn is spent on movies in 2003. | | 2004 | Unspecified location |
| The British Film Industry: minutes of evidence, Vol. 1 & 2. | | 1994 | Unspecified location |
| The British Film Industry: appendices to the minutes of evidence: Vol. I-III. | | 1995 | Unspecified location |
| Cinema 1990-1991: Production. | | 1991 | British Film Institute |
| Pact's straight-talking Scot. | | 2004 | British Film Institute |
| National Treasure. | | 2002 | British Film Institute |
| A Reflection on the American Domination of the Film Industry: An historical and industrial perspective. | | 1999 | British Library |
| Crossing Thresholds: The Contemporary British Woman's Film. | | 1996 | British Film Institute |
| Da kommt zusammen, was zusammengehoert. | | 2004 | Deutsche Bücherei |
| Knockin' on the door of Germany's film funds. | | 2004 | British Film Institute |
| Situation unabhaengiger Produzenten in Grossbritannien, Frankreich und den Niederlanden. | | 1999 | Unspecified location |
| Sandkastenspiele frueh vergreister Kulturgeneraele. | | 2001 | Deutsche Bücherei |
| Aktive Buergerschaft konkret verwirklichen: Foerderung der europaeischen Kultur und Vielfalt durch Programme im Bereich Jugend, Buergerbeteiligung, Kultur und audiovisuelle Medien. | | 2004 | Unspecified location |
| Bessere Rahmenbedingungen fuer den deutschen Film. | | 2000 | Deutsche Bücherei |
| World Cinema statt Global Hollywood. | | 2004 | Deutsche Bücherei |
| Filmfoerderung in Deutschland und der EU 2003. | | 2003 | Unspecified location |
| Filmfoerderung in Deutschland und der EU 2002. | | 2002 | Unspecified location |
| Film financing and television programming: A taxation guide. | | 1996 | British Film Institute |
| Stellung der Produzenten in Deutschland. | | 1997 | Unspecified location |
| Crash and film censorship in the UK. | | 1999 | British Film Institute |
| One hundred films and a funeral. | | 2002 | British Library |
| Create the Future: A Strategy for Cultural Policy, Arts and the Creative Economy. | | 1997 | Unspecified location |
| New Labour. Because Britain deserves better. | | 1997 | British Library |
| Public funding for film and audiovisual works in Europe - A comparative approach. | | 2004 | Unspecified location |
| Transparency and its asymmetric secrets. | | 2003 | European Audio-Visual Observatory |
| The future of the European audio-visual industry. | | 1989 | Sheffield Hallam University/ Psalter Lane |
| The Independents. Britain's new cultural entrepreneurs. | | 1999 | Unspecified location |
| Picture perfect? A London Assembly report into the capital's cinemas. | | 2003 | Greater London Authority |
| Creative London. | | 2003 | Unspecified location |
| The competitive position of the European and US film industries. | | 1992 | Sheffield Hallam University/ Psalter Lane |
| Retailing European films: The case of the European exhibition industry. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| Back to the Future: Rethinking French Cultural Policy, 1997-2002. | | 2000 | British Library |
| Facing the Music: French Cultural Policy from a British Perspective. | | 2000 | British Library |
| The British Cinema: The Known Cinema? | | 2001 | British Film Institute |
| Governing as New Labour. Policy and Politics under Blair. | | 2004 | British Library |
| Image and Nation in 1990s British Cinema. | | 2000 | British Film Institute |
| Cannes 2003. | | 2003 | British Library |
| A Post-national European Cinema: A Consideration of Derek Jarman's The Tempest and Edward II. | | 1996 | British Film Institute |
| British Film Institute: a response. | | 1990 | British Film Institute |
| Border crossing. | | 2004 | British Film Institute |
| Difficult delivery for son of Section 48. | | 2004 | British Film Institute |
| Growing Pain. | | 2004 | British Film Institute |
| Keeping up the Momentum. | | 2004 | British Film Institute |
| Making over the BFI. | | 2004 | British Film Institute |
| Pushing back the boundaries. | | 2004 | British Film Institute |
| Taxing times in the UK. | | 2004 | British Film Institute |
| No Cannes do for the Brits. | | 2001 | Unspecified location |
| Our own Capone. | | 2001 | British Film Institute |
| Unseen British Cinema. | | 2000 | British Film Institute |
| Managing the Mini Boom. | | 1998 | British Film Institute |
| Rewriting the script on film development. | | 2003 | Unspecified location |
| Filmpolitik zwischen kulturellem Anspruch und wirtschaftlichen Erwartungen. | | 2001 | Deutsche Bücherei |
| Eiserne Faust in Samthandschuhen. | | 2001 | Deutsche Bücherei |
| Money, MacPherson and mind-set: the competing cultural and commercial demands on Black and Asian British films in the 1990s. | | 2002 | British Film Institute |
| Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s. | | 1996 | British Film Institute |
| "Temporary American Citizens": Cultural Anxieties and Industrial Strategies in the Americanisation of European Cinema. | | 1999 | British Library |
| Heaven for movie buffs as arthouse comes to our house. | | 2004 | Unspecified location |
| The First International Conference on Cultural Policy Research. | | 2000 | British Library |
| The English pageant. | | 2003 | British Film Institute |
| In Praise of a Poor Cinema. | | 1993 | British Library |
| A brief history of cinema exhibition in the UK. | | 1999 | Cinema d'Europe Media Salles - Article |
| Cinema 1990-91: Exhibition. | | 1991 | British Film Institute |
| The More Things Change... British Cinema in the 90s. | | 2001 | British Film Institute |
| The encyclopedia of British film. | | 2003 | Sheffield Hallam University/ Psalter Lane |
| UK production crisis: the actor's view. | | 2002 | British Film Institute |
| Culture and the Public Sphere. | | 1996 | Unspecified location |
| Art and Industry. Regional film and video policy in the UK. | | 1996 | British Film Institute |
| Internal Decolonisation? British Cinema in the Celtic Fringe. | | 2001 | British Film Institute |
| Pride and prejudice. Why disability film-makers and festivals make a difference. | | 2002 | Unspecified location |
| UK production crisis. | | 2002 | British Film Institute |
| European Cinema Yearbook: United Kingdom. | | 2002 | Cinema d'Europe Media Salles |
| Look who's watching! A brief reflection on European cinema audiences. | | | Cinema d'Europe Media Salles - Article |
| Meet the Challenge. | | | British Library |
| Citizenship and Cultural Policy. | | 2001 | British Library |
| The French cultural exception. | | 2002 | British Film Institute |
| The Stats. An Overview of the Film, Television, Video and DVD Industries in the UK 1990-2001. | | 2003 | British Film Institute |
| The advisory committee on film finance: report to the Secretary of State for National Heritage. | | 1996 | British Film Institute |
| Midterm Blues. | | 2001 | British Library |
| The Film Industry and the Government: 'Endless Mr Beans and Mr Bonds'? | | 2000 | British Film Institute |
| The National Endowment for the Arts in the 1990s. | | 2001 | British Library |
| The Crime of Monsieur Lange. GATT, the screeen, and the new international division of labour. | | 1996 | British Film Institute |
| Cultural Policy. | | 2002 | British Library |
| Global Hollywood. | | 2001 | British Film Institute |
| Minister's second chance for stardom. | | 2004 | The Guardian |
| New tax breaks will help British film-makers to take on Hollywood. | | 2004 | The Guardian |
| Minghella plots new BFI course. Review promises much but lacks clarity. | | 2004 | British Film Institute |
| After Section 48. | | 2004 | British Film Institute |
| Burning in development hell. | | 2004 | British Film Institute |
| Critical list. | | 2004 | British Film Institute |
| Distributing support. | | 2004 | British Film Institute |
| Facing the facts on tax. | | 2004 | British Film Institute |
| The gravy train is over. | | 2004 | British Film Institute |
| Till faces conflict of interest criticism. | | 2004 | British Film Institute |
| A brave new tax world. | | 2003 | British Film Institute |
| A very public affair. | | 2003 | British Film Institute |
| Abuse it - and lose it? | | 2003 | British Film Institute |
| After the gold rush. | | 2003 | British Film Institute |
| Black hole looms for UK finance. | | 2003 | British Film Institute |
| Britain set for birth of a new tax nation. | | 2003 | British Film Institute |
| Film Council maps out UK industry. | | 2003 | British Film Institute |
| Films without borders. | | 2003 | British Film Institute |
| Financiers reinvent UK tax funding. | | 2003 | British Film Institute |
| Into the new age. | | 2003 | British Film Institute |
| Let's see some action. | | 2003 | British Film Institute |
| Middle ground opening up for UK soft money. | | 2003 | British Film Institute |
| Pathe UK: life after the lottery. | | 2003 | British Film Institute |
| The rise, fall and rise again of UK tax production funds. | | 2003 | British Film Institute |
| The Sons of Section 48. | | 2003 | British Film Institute |
| UK plans digital revolution. | | 2003 | British Film Institute |
| UK production levels flat in 2002. | | 2003 | British Film Institute |
| 2002 distribution round-up. Will 2002 be entertainment's year? | | 2002 | British Film Institute |
| Battle of Britain. | | 2002 | British Film Institute |
| Blow for UK as production collapses. | | 2002 | British Film Institute |
| Boost for UK arthouse. Council targets exhibition weaknesses. | | 2002 | British Film Institute |
| Dream tickets turn sour. | | 2002 | British Film Institute |
| Film Council report casts lights in salary spending. | | 2002 | British Film Institute |
| Film Council tells UK industry to slash its production costs. | | 2002 | British Film Institute |
| Parker and the vicious circle. | | 2002 | British Film Institute |
| Taxing times ahead. | | 2002 | British Film Institute |
| The new special agents. | | 2002 | British Film Institute |
| UK actors win profit share as Equity, PACT strike deal. | | 2002 | British Film Institute |
| UK agents cut a bigger slice. Top British agencies are increasingly turning into producers. | | 2002 | British Film Institute |
| UK rides risky business boom. | | 2002 | British Film Institute |
| UK to clamp down on co-productions. | | 2002 | British Film Institute |
| Anhoerung zur Novellierung des Filmfoerdergesetzes. | | 2003 | Unspecified location |
| Fantasizing Integration and Escape in the Post-Unification Road Movie. | | 2003 | British Film Institute |
| Financing and selling films in Europe: Seminar report, Rome, 16 - 17 March 1992. | | 1992 | Sheffield Hallam University/ Psalter Lane |
| Reassuring financiers in the film business: Insurance, completion bonds and guarantees. | | | Sheffield Hallam University/ Psalter Lane |
| Films. A report on the supply of films for exhibition in cinemas in the UK. | | 1994 | British Film Institute |
| Film Policy: International, national and regional perspectives. | | 1996 | British Film Institute |
| Digital Cinema 2002. | | 2002 | Unspecified location |
| The Question of Quality. | | 1990 | British Film Institute |
| Hollywood of Europe? The Future of British film. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| Saturday or Sunday Morning? From Arts to Industry - New Forms of Cultural Policy. | | 1986 | British Film Institute |
| The 51st State. | | 2003 | British Film Institute |
| A Path through the Moral Maze. | | 2000 | British Film Institute |
| Another false dawn? The Film Consortium and the franchise scheme. | | 2002 | British Film Institute |
| Improving access to, and education about, the moving image through the British Film Institute. | | 2003 | Unspecified location |
| The British film industry. Second report. | | 1995 | British Film Institute |
| The British film industry: Minutes of evidence. Thursday 1 December 1994. | | 1994 | Sheffield Hallam University/ Psalter Lane |
| The British film industry: Minutes of evidence. Thursday 8 December 1994. | | 1994 | Sheffield Hallam University/ Psalter Lane |
| The British film industry: Minutes of evidence. Thursday 15 December 1994. | | 1994 | Sheffield Hallam University/ Psalter Lane |
| The British film industry. Second Report. Session 1994-95. Vol. I-III. | | 1995 | British Film Institute |
| International service transactions of the film and television industries 2002. | | 2003 | National Statistics |
| That was the Wild East. Film Culture, Unification and the "New" Germany. | | 2002 | British Film Institute |
| Kinobesuch im 1. Halbjahr 2001 nach Wochentag und Uhrzeit des Filmbeginns. | | 2001 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Kinosaele in der Bundesrepublik Deutschland 1993-1997. | | 1998 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Nationale Scheuklappen, laechelnde Amerikaner. | | 2001 | Deutsche Bücherei |
| New Film Council funding. | | 2002 | British Library |
| New Look for bfi. | | 1998 | British Library |
| UK - what distribution? | | 2002 | British Film Institute |
| Report of the Directors and Financial Statements for the Period 22 Januar 2002 to 31 March 2003. | | 2003 | Companies House |
| Director's Report and Financial Statements for the year ended 31 March 2004. | | 2004 | Companies House |
| Grandeur and Misery of Film Culture. | | 1996 | Unspecified location |
| The European experience. | | 1989 | Sheffield Hallam University/ Psalter Lane |
| Hollywood and Europe: Economics, culture, national identity 1945-95. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| Draft Regional Assemblies Bill. Policy Statement. | | 2004 | Unspecified location |
| Your region, your choice. | | 2002 | Unspecified location |
| International Trade in Film and the Self-Sufficiency Ratio. | | 2001 | British Library |
| Labour Party Plc. Party of Business. | | 2002 | British Library |
| Own Goals All Around. | | 2001 | British Library |
| Three Years On - Pact response to UK Film Council Consulation on Funding and Policy Priorities. | | 2004 | PACT |
| A New Partnership Between the Public Sector and UK Film Production. | | 2000 | PACT |
| A National Lottery funding Strategy for British Film Production. | | 1996 | British Film Institute |
| Learning to dream: The new British cinema. | | 1987 | Sheffield Hallam University/ Psalter Lane |
| Building a sustainable UK film industry. | | 2002 | UK Film Council |
| The WTO and the Audiovisual Sector: Economic Free Trade vs. Cultural Horse Trading? | | 2003 | British Library |
| Shame of a nation. | | 2000 | The Guardian |
| A level playing field? | | 1991 | Sheffield Hallam University/ Psalter Lane |
| Everything for sale. | | 2003 | Unspecified location |
| From Brit-flicks to shit-flicks: the cost of public subsidy. | | 2002 | British Film Institute |
| Raising the Bar. | | 2001 | British Library |
| Cinema 1990-1991: Distribution | | 1991 | British Film Institute |
| Future Film Policy. | | 1987 | British Film Institute |
| Cinema and State. | | 1986 | British Film Institute |
| The Censor and the State. | | 1998 | British Library |
| Creativity and Constraint in the British Film Industry. | | 1991 | British Library |
| New Questions of British Cinema. | | 1992 | British Library |
| Screening Europe: Image and Identity in Contemporary European Cinema. | | 1992 | British Library |
| British Cinema and Black Representation. | | 2001 | British Film Institute |
| Die Muehen des Dezentralismus. Kritische Bemerkungen zum Dezentralismus in der Kulturpolitik. | | 1998 | Deutsche Bücherei |
| The company among the wolves. | | 1996 | British Film Institute |
| Competitiveness Policy and Economic Organisation: The Case of the British Film Industry. | | 2000 | British Film Institute |
| Competitiveness Policy and Economic Organisation: The Case of the British Film Industry. | | 1999 | British Library |
| Proceedings of the European Audiovisual Conference, Birmingham, UK, 6-8 April. | | 1998 | Sheffield Hallam University/ Adsetts Centre |
| Proceedings of the European Audiovisual Conference, Brussels, June/ July 1994. | | 1995 | Sheffield Hallam University/ Adsetts Centre |
| Where there's brass… | | 2004 | The Guardian |
| Film. Understanding and Working within the Film Industry. | | 2003 | British Library |
| Umbau noetig. Filmfoerderung. | | 2001 | Deutsche Bücherei |
| The future of European Audiovisual Policy. | | 2004 | Unspecified location |
| A European Knowledge Society in a Global Community. | | 2003 | Unspecified location |
| EU Media Policy: "Culture and Competition." | | 2003 | Unspecified location |
| European film summit - Europaeischer Filmgipfel. | | 2003 | Unspecified location |
| Give us a break. | | 1987 | British Library |
| Unity now. | | 1987 | British Library |
| Creating jobs in the UK industry | | 2003 | British Film Institute |
| What's an Acronym? | | 1987 | British Film Institute |
| The Relph report. A study for the Film Council examining the costs of lower budget UK films and their value in the world market. | | 2002 | UK Film Council |
| British Film Censorship. | | 2001 | British Film Institute |
| British film production: the commercial sector - an introductory guide. | | 1996 | Unspecified location |
| Q&A Sandra Hebron. | | 2003 | British Film Institute |
| Q&A John Woodward. | | 2003 | British Film Institute |
| Dome Syndrome. | | 2000 | British Film Institute |
| Shotguns and Weddings. | | 1998 | British Film Institute |
| Show me the Culture! | | 1998 | British Film Institute |
| Four Weddings and a Final Reckoning. | | 1995 | British Film Institute |
| Welcome to the Multiplex. | | 1994 | British Film Institute |
| Educating the Future. | | 2003 | British Film Institute |
| Eurimages' future questioned. | | 2002 | British Film Institute |
| The Decline of the British Film Industry - An Analysis of Market Structure, the Firm and Product Competition. | | 1993 | British Library |
| Ein Partner fuer das Kino. "Das kleine Fernsehspiel" des ZDF wurde 40 Jahre alt. | | 2004 | Deutsche Bücherei |
| Looking at Class: Film, Television and the Working Class in Britain. | | 2002 | Unspecified location |
| Fire over England: The British cinema comes under friendly fire. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| New Labour and the cinema: culture, politics and economics. | | 2002 | British Film Institute |
| France's belle epoque rolls on. | | 2002 | British Film Institute |
| Writers' Television. | | 1992 | British Library |
| The Relationship Between Motion Picture Distribution and Exhibition: An Analysis of the Effects of Anti-Blind-Bidding Legislation. | | 2002 | British Film Institute |
| Zwischen Regie und Regime. Die Filmpolitik der SED im Spiegel der DEFA-Produktionen. | | 2002 | British Library |
| Escape from Los Angeles. | | 2002 | British Film Institute |
| Zukunft des europaeischen Films: Nationale und europaeische Filmpolitik in der Diskussion / Kulturforum der Sozialdemokratie. | | 1993 | British Library |
| Braucht Film Politik? Fuenfzehn Thesen anlaesslich einer Tagung. | | 1999 | Deutsche Bücherei |
| Warten auf Chabrol. | | 2001 | Deutsche Bücherei |
| Klage gegen das Filmfoerderungsgesetz macht viele Betrachter ratlos. | | 2004 | Deutsche Bücherei |
| A New Map of Hollywood: The Production and Distribution of American Motion Pictures. | | 2001 | Unspecified location |
| British Cinema and Film Statistics. | | 1990 | British Film Institute |
| Investing in a vision for the East of England. | | 2004 | Unspecified location |
| Report of the Directors and Financial Statements for the Year ended 31 March 2003. | | 2003 | Companies House |
| Directors' report and financial statements for the year ended 31 March 2004. | | 2004 | Companies House |
| Abbreviated accounts for the period ended 16 March 2003. | | 2003 | Companies House |
| Financial Statements 31 March 2004. | | 2004 | Companies House |
| Have film, will travel. | | 2003 | British Film Institute |
| The Contingency of the Cultural Policy Sector: An Hermeneutic Comparison of Cultural Policies. | | 2003 | Unspecified location |
| Don't mind your language. | | 2004 | Unspecified location |
| Skillset Census Results 2003. | | 2003 | Sector Skills Council for the Audio Visual Industries |
| High noon for tax breaks. | | 2004 | Unspecified location |
| Talk of demise exaggerated. | | 2004 | Unspecified location |
| Tax changes could threaten silver screen cash. | | 2004 | Unspecified location |
| Are you ready to sink your money. | | 2002 | Unspecified location |
| Getting it on. | | 2003 | Unspecified location |
| Small Change | | 2001 | British Film Institute |
| Productive Relationships? | | 1991 | British Library |
| Artistic Expression in a Corporate World: Do we need monopolistic control? | | 2004 | Hogeschool voor de Kunsten Utrecht |
| Under Pressure. Promoting Cultural Diversity in the Age of Globalization. | | 2003 | Unspecified location |
| Creative Britain. | | 1998 | British Library |
| Welcome to the Department for Culture, Media and Sport. | | 1997 | Unspecified location |
| Travelling Light: New Art Cinema in the 90s. | | 2000 | British Film Institute |
| European Cinemas, European Societies 1939-1990. | | 1991 | British Film Institute |
| Executive Summary: Business Plan 2004-2006. | | 2004 | Southwest Screen |
| Financial statements for 31st March 2003. | | 2003 | Companies House |
| Speed too. | | 2001 | British Film Institute |
| The value of freelance film workers. | | 2003 | British Film Institute |
| Tearing the roof off. | | 1999 | British Film Institute |
| Information Overload. | | 1998 | British Film Institute |
| New Welsh cinema as postcolonial critique? | | 2002 | British Film Institute |
| Reel Hopes From Europe. | | 1990 | British Film Institute |
| European Overview. | | 1992 | British Film Institute |
| A New Vision. | | 1996 | British Film Institute |
| Planning for the next millennium. | | 1996 | British Film Institute |
| British Cinema in Documents. | | 2000 | British Film Institute |
| Transatlantic Crossings: British Feature Films in the USA. | | 2002 | British Film Institute |
| The European Community policy in the audiovisual field. Legal and political texts. | | 1990 | Sheffield Hallam University/ Adsetts Centre |
| Global Film: Exhibition and Distribution. | | 2002 | British Film Institute |
| The 'Popular', Cash and Culture in the Postwar British Cinema Industry. | | 2002 | British Film Institute |
| The British Film Industry in the 1990s. | | 2000 | British Film Institute |
| Subsidizing the Arts: Government and the Arts in Western Europe and the United States. | | 2002 | British Library |
| Tom Clarke minister for cinema films. | | | Unspecified location |
| England. The State of the Regions. | | 2002 | British Library |
| Top UK Media Owners. | | 1998 | Unspecified location |
| Torn curtain. | | 2004 | British Film Institute |
| Trade Surplus for UK Cinema. | | 2003 | British Film Institute |
| The State of the Nations 2001. The Second Year of Devolution in the United Kingdom. | | 2001 | British Library |
| Britain's blooming. | | 2003 | British Film Institute |
| Euro studio is Mission:Impossible say Till. | | 2003 | British Film Institute |
| Close up: Alan Parker. | | 2002 | British Film Institute |
| Homegrown hits. | | 2002 | British Film Institute |
| Parker shakes "Little England". | | 2002 | British Film Institute |
| UK government signals tough stance on tax. | | 2004 | Unspecified location |
| A Regional Picture. An evaluation of the Regional Investment Fund for England. | | 2004 | Unspecified location |
| Inform and empower - media literacy in the 21st century. | | 2004 | Unspecified location |
| Research and Statistics Bulletin Volume , Issue 2. | | 2004 | UK Film Council |
| Statistical Yearbook/ Annual Review 2003-2004. | | 2004 | Unspecified location |
| Film Council Lottery Distribution Accounts 2001-2002. | | 2003 | UK Film Council |
| Film in the UK 2002. Statistical Yearbook. | | 2003 | UK Film Council |
| Group and Lottery Annual Report and Accounts for the year ended 31 March 2003. | | 2003 | UK Film Council |
| Success through diversity and inclusion. | | 2003 | UK Film Council |
| The Future of the MEDIA Programme. Submission by the UK Film Council. | | 2003 | UK Film Council |
| Three Years On. A consultation on our funding and policy priorities. | | 2003 | UK Film Council |
| A Better Picture. A digest of consultation responses. | | 2002 | UK Film Council |
| Annual Review 2001/2002. | | 2002 | UK Film Council |
| Lottery Strategic Plan. | | 2000 | UK Film Council |
| The UK Film Council's European Strategy. | | 2000 | UK Film Council |
| Towards a sustainable UK film industry. | | 2000 | UK Film Council |
| A Bigger Future. The UK Film Skills Strategy. | | 2003 | UK Film Council |
| MEDIA at a glance. | | 2004 | Unspecified location |
| Convention for the Safeguarding of the Intangible Cultural Heritage. | | 2003 | Unspecified location |
| A survey on national cinematography. | | 2000 | Unspecified location |
| Putting it on the map. Innovative regional film initiatives for the moving image. | | 2002 | Unspecified location |
| Production patchworks. Reg changes still confound even as creatives celebrate demist of Europudding demands. | | 2003 | Unspecified location |
| Tax incentives around the globe. | | 2003 | British Film Institute |
| Stellungnahme zur FFG-Novelle/ Empfehlung der Ausschuesse des Bundesrates des Verbandes Filmverleiher e.V. | | | Unspecified location |
| Stellungnahme zum Entwurf eines 4. Gesetzes zur Aenderung des Filmfoerderungsgesetzes. | | 2003 | Unspecified location |
| Zum Entwurf eine Vierten Gesetzes zur Aenderung des Filmfoerderungsgesetzes (FFG). | | 2003 | Unspecified location |
| Art of the Deal. 3rd Edition. Completely revised and updated. | | 2002 | British Film Institute |
| Encyclopedia of European Cinema. | | 1996 | Sheffield Hallam University/ Psalter Lane |
| Popular European cinema conference. | | 1993 | Sheffield Hallam University/ Psalter Lane |
| Entertainment industry economics: A guide for financial analysts. | | 1998 | Sheffield Hallam University/ Adsetts Centre |
| Icons in the Fire: The Decline and Fall of Almost Everybody in the British Film Industry. | | 2004 | Unspecified location |
| Miserly BBC 'putting film industry at risk'. | | 2003 | The Guardian |
| Hollywood UK. | | 2000 | British Film Institute |
| European Film Studio Feasibility Study. | | 1992 | British Library |
| The Politics of Contemporary European Cinema: Histories, Borders, Diasporas. | | 2002 | British Film Institute |
| Producing The Goods? UK Film Production Since 1991. An Information Briefing. | | 2003 | British Film Institute |
| Will an expanded EU help sell European cinema? In your dreams… | | 2004 | British Film Institute |
| "Wir sind in einer relativ guten Lage." | | 2004 | Deutsche Bücherei |
| Der aktuelle Begriff: Kulturelle Vielfalt. | | 2004 | Unspecified location |
| Der aktuelle Begriff: Kulturfinanzbericht 2003. | | 2004 | Unspecified location |
| Der aktuelle Begriff: Nachhaltigkeit. | | 2004 | Unspecified location |
| Nach der Erweiterung: die Foerderung von Kultur und kultureller Vielfalt in der Europaeischen Union. | | 2004 | Unspecified location |
| Rechtliche und institutionelle Rahmenbedingungen der Kultur in Deutschland. | | 2004 | Unspecified location |
| Give new film-makers a break. | | 2003 | British Film Institute |
| Tube tales. | | 2003 | British Film Institute |
| Cultural Space as Political Metaphor: the Case of the European 'Quality' Film. | | | Unspecified location |
| Cinema 1989-90: Production Focus. | | 1990 | British Film Institute |
| Cartels and Lotteries: Heritage and Cultural Policy. | | 2001 | Unspecified location |
| Yo! Der deutsche Film auf der Berlinale. | | 2004 | Deutsche Bücherei |
| Yorkshire and Humberside Screen Commission consultative document. | | 1992 | Sheffield Hallam University/ Psalter Lane |
| Die Kinobesucher 2002. Strukturen und Entwicklungen auf Basis des GfK Panels. | | 2002 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Programmkinos in der Bundesrepublik Deutschland 2000 bis 2002 und ihr Publikum in 2002. Analyse zu Auslastung, Bestand, Besuch und Eintrittspreise sowie zu soziodemographischen und kinospezifischen Merkmalen. | | 2003 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Struktur der Kinosaele in der Bundesrepublik Deutschland 2000 bis 2002. Analyse zu Groesse, Lage und Investitionen. | | 2003 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Kinosaele in der Bundesrepublik Deutschland 1997 bis 2001. Analyse zu Groesse, Programm, Lage, technischer Ausstattung und Service. | | 2002 | Filmförderungsanstalt (FFA) - German Federal Film Board |
| Globalization, soft power and the challenge of Hollywood. | | 2002 | Unspecified location |
